A Quote by Ellen Glasgow
I have watchedmany literary fashions shoot up and blossom, and then fade and drop.... Yet with the many that I have seen comeand go, I have never yet encountered a mode of thinking that regarded itself as simply a changing fashion, and not as an infallible approach to the right culture.
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I have been told by persons of experience in matters of taste, that the fashions follow a law of gradation, and are never arbitrary. The new mode is always only a step onward in the same direction as the last mode; and a cultivated eye is prepared for and predicts the new fashion.
My claim is simply that the literary approach is one necessary way to read and interpret the Bible, an approach that has been unjustifiably neglected. Despite that neglect, the literary approach builds at every turn on what biblical scholars have done to recover the original, intended meaning of the biblical text.
I mean the flesh, never fade! The flesh never leave the creation, see, because with that divine spirit the flesh cannot fade. If the spirit is weak then the flesh fade, seen?
Beyond fashion, I think that culture has a side where they love to shoot you up like a clay pigeon and then take out their rifles. I lived that, and I got to see the perspective from up in the sky.
I love to work, and to make all kinds of work. But if I work on a fashion story then I work for somebody. If I work for me, for an art project, then I'm not that nervous. It doesn't matter when the photo is done. And if I work on a fashion shoot, then I have access to all these things that I can use later for my art - a still life here or there. I can do all of this while the model is changing.
Hinduism... gave itself no name, because it set itself no sectarian limits; it claimed no universal adhesion, asserted no sole infallible dogma, set up no single narrow path or gate of salvation; it was less a creed or cult than a continuously enlarging tradition of the Godward endeavour of the human spirit. An immense many-sided many-staged provision for a spiritual self-building and self-finding, it had some right to speak of itself by the only name it knew, the eternal religion, Sanatana Dharma.
There are two things. There was the moral responsibility, and that, first, is creating an atmosphere where the security forces can kill with impunity, where they can turn up at a place, shoot seven people - really at point-blank fashions - and then get away with it and be, in fact, promoted. And then there is the actual responsibility, the governmental responsibility. My aunt's government forbade us, initially, from filing a police report - which is every Pakistani citizen's right under the law.
Every new Fashion is a refusal to inherit, a subversion against the oppression of the preceding Fashion; Fashion experiences itself as a Right, the natural right of the present over the past.
America itself has been through so many challenges since that fateful day back in 1776. Our culture has been a roll-up-your-sleeves-and-go-to-work culture.
I've never seen a schedule where you just go in two hours almost every day of the week and then all day on one day. Then you shoot it at night with an audience and you're out of there.
Subject matter comes to you, you don't go to it... Although I shoot extemporaneously a lot of the time, I prefer to have half a dozen shots in my mind. Probably I have seen them many times under different conditions and I have been thinking about them. The moment shall come when I shall go back to them and make the photographs.
Don't overthink things in front of you. I fit moves you, shoot it. If it's fun, shoot it. If you've never seen it before, shoot it.
The nearest approach to the infallible in literary judgment is represented in the colossal work of the teacher of all these three [Edmund Gosse, Edward Dowden and George Saintsbury], the greatest critic that ever lived - not an Englishman, but a Frenchman, the wonderful Sainte-Beuve.
What I believe is that people have many modes in which they can be. When we live in cities, the one we are in most of the time is the alert mode. The 'take control of things' mode, the 'be careful, watch out' mode, the 'speed' mode - the 'Red Bull' mode, actually. There's nothing wrong with it. It's all part of what we are.
I'm a multi-racial person - I'm black and white - and growing up in North Carolina, I've dealt with a lot of racism. Growing up as a kid, I've seen it. I've been through it in many forms and fashions.
For a woman, le smoking is an indispensable garment with which she finds herself continually in fashion, because it is about style, not fashion. Fashions come and go, but style is forever.
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