A Quote by Ellie Simmonds
It can feel a bit surreal. Sometimes you're talking to famous people and you think, 'Oh gosh, I'm talking to Lewis Hamilton.'
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I don't feel I need to come and drive the race of Lewis Hamilton's life. I think I've driven pretty well this year and I plan to drive Lewis Hamilton's best this weekend.
Nico [Rosberg] is not seeking the limelight as Lewis [Hamilton] does. Lewis wants to be famous.
A lot of us in Slipknot, we get to go to wounded soldier hospitals where soldiers have lost their limbs. That's surreal. It's even more surreal to talk to them about your band. They're talking to you about war and losing their limbs, and at same time, they're talking about their favorite album, these kind of things.
She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
I think I would find it easier to talk with Nico [Rosenberg] than Lewis [Hamilton], as Lewis is into things that are very distant to me.
Sometimes we misunderstand what films can do. We just throw a whole book in there, with people just talking, talking, and talking. The picture can tell, the frame can tell.
I don't feel that old, but when I talk to these kids, I do feel old. Because I'm talking about taxes and all this other stuff that is very, very boring. And these guys are talking about music, and I'm like, 'Oh, I remember those days.'
It's a very, very interesting experience to be talking to people who are such icons in their own right. When Adele came to a show, I was just talking to her, and at the time, I thought, 'I'm just having a chat with somebody.' But then I heard myself say, 'Oh, I was talking to Adele the other day,' and it's as strange as you'd imagine.
If I were talking to someone, I'd look at their eyes, not at the blemish on the side of their face. But as soon as you open up that photo on a 30-inch monitor, you'd say, 'Oh my gosh, where did that come from?'
I think if a girl is easy to talk to then that's the first thing I look for. It's great when you meet a girl and three hours later you're like, 'Oh my gosh, we've been talking for three hours, what happened to the time?'
The personal boundaries, I think for comedians they're a little bit different anyway, but I think people - feel free to do stuff - It's interesting with comedians because when we walk on stage, oftentimes we're talking about ourselves for an hour and we're talking about very intimate details, so after hearing us for an hour, a lot of people feel very comfortable with us because they feel like they know us and they're our friends because we just told them our innermost secrets and details of our lives for an hour. What they forget is we know absolutely nothing about the audience.
To show that a comedian on stage in India talking about sanitation or in South Africa talking about HIV and AIDS awareness, if you follow the joke into their lives, you can see that, like, oh, these things aren't just contrived in joke books. This is real life. I think the best comedians have that bravery and courage to say, Oh, this is what it is.
I know I have this level of celebrity, of fame, international, national, whatever you want to call it, but it's a pretty surreal thing to think sometimes that you're in the middle of another famous person's life and you think to yourself, 'How the hell did I get famous? What is this some weird club that we're in?'
It's so fun to be on a show where we're all on our toes, all the time. We're constantly texting each other and calling each other while we're reading and go, "Oh, my gosh, I can't believe you do that! Holy cow! This is crazy!" Sometimes it's a bit more procedural. Sometimes it's a bit more emotional. We get the best of all genres, in one little package.
Keep in mind, when two enemies are talking, they're not fighting, they're talking. They might be yelling and screaming, but at least they're talking. It's when the talking ceases that the ground becomes fertile for violence.
I reject criticism because the last thing I wanted was to sit there and look at people talking. I think people are conditioned to think of documentaries now as talking heads. This movie about Valentino is not about that at all. It's about watching people in action. To the critics who wanted more talking heads, I send a dozen dead roses.
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