A Quote by Elton John
I've been following him since Space Oddity. And I've followed him from all those albums that didn't sell, like The Man Who Sold The World and things like that. Above all, apart from all the glamorous rubbish, the music's there. Ziggy Stardust is a classic album.
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In a time like this, when records are not selling, he's the only one that is selling. You know, Drake and all the other ones [did well], but Em did [close to] 800,000 his first week, and he's #1 for the fifth week. It's incredible. I think he has a faithful fan base of people who have been following him for years. They're not going to stop following him and not stop listening to his music. Em said he didn't like his last album as much as this one. You can hear the difference. I like both of the albums. '3 a.m.' is one of my joints. But Eminem has followers that's gonna mess with him until the day he dies.
I was a shy kid growing up, and I liked the idea of playing under this alter ego: like, I could be Ziggy Stardust, but I also knew I could never be Ziggy Stardust.
I felt like I grew up with Bowie. I never dressed like him, even though I did love the music, but consistently throughout my career he has been a go-to reference point: The suit from 'Young Americans,' or the gold Missoni-type looks of Ziggy Stardust. 'The Berlin Years' still influences me.
New York is the biggest mouth in the world. It appears to be prime example of the herd instinct, leading the universal urban conspiracy to beguile man from his birthright (the good ground), to hang him by his eyebrows from skyhooks above hard pavement, to crucify him, sell him, or be sold by him.
I look at it like this: you may only sell 20,000 to 100,000 albums. But those albums are going to be heard by future doctors, lawyers, judges, firemen, etc. Those albums are being sold to the right people that move society. They're interested in what you have to say.
Portugal is like Ziggy Stardust. The period is there, so you know that it's not the country, it's Portugal. The 'Man' states, 'He's the man.'
Some of the albums I like best in the whole world are considered psychedelic albums. A psychedelic album is an album that when you put it on, if you listen to both sides, when it's over, your perceptions have been changed and I think that our record can do that.
Before I met David Bowie, I was very nervous. I thought, 'Here comes the Thin White Duke, Ziggy Stardust. How will I ever communicate with him?'
I listen to classic albums that I ain't gotta fast forward. If I gotta fast forward it three times, I don't like your music. Well, not your music, not your album. Yeah, I don't like your album.
Olivia: What's a drunken man like, fool? Feste: Like a drowned man, a fool, and a madman: one draught above heat makes him a fool; the second mads him; and a third drowns him.
For many years, I've wanted to do one, and I've always mentioned it to the chieftains, and they would say things like, 'Oh well. Christmas albums don't sell,' and things like that. But that's not the point. Christmas albums are important. The music is important. The season is important.
If, therefore, man has come into the world to search for God and, if he has found Him, to adhere to Him and to find repose in adhering to Him-man cannot search for Him and attain Him in this sensible and corporeal world, since God is spirit rather than body, and cannot be attained in intellectual abstraction, since one is able to conceive nothing similar to God, as he asserts-how can one, therefore, search for Him in order to find Him?
A lot of the albums that I've been really into are like, 'Oh man. That doesn't make him look like a perfect human. That actually shows his warts and his scars, and for some reason, I'm super drawn to him now because he shared that or she shared that with me.'
I was in awe of Robert Osborne, the man, and his incredible talent. Like everyone else, I loved watching him introduce classic films on TCM. But I was fortunate to also get to know him in real life by spending time with him and being interviewed by him over the years at events around the country.
Man was sent into the world to be a growing and exhaustless force. The world was spread out around him to be seized and conquered. Realms of infinite truth burst open above him, inviting him to tread those shining coasts along which Newton dropped his plummet, and Herschel sailed,--a Columbus of the skies.
[Bob] Dylan's many quotations from classic American roots music (that song is from an album aptly titled Love and Theft) join the aging poet to a tradition that preceded him and hopefully will outlive him as well.
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