A Quote by Alton Tobey
I live an artistic double life: one of classical realism and the other of aesthetic exploration.
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I love to play a character. If I'm playing Cinderella or Aurora in 'Sleeping Beauty' or something like that, then I enjoy classical a lot. But to do just a two-minute solo, purely to show classical aesthetic, is not my favorite thing to do.
Scientific realism in classical (i.e. pre-quantum) physics has remained compatible with the naive realism of everyday thinking on the whole; whereas it has proven impossible to find any consistent way to visualize the world underlying quantum theory in terms of our pictures in the everyday world. The general conclusion is that in quantum theory naive realism, although necessary at the level of observations, fails at the microscopic level.
Curiosity is the essence of human existence and exploration has been part of humankind for a long time. The exploration of space, like the exploration of life, if you will, is a risk. We've got to be willing to take it.
The Classic games were Classic because, like classical music or architecture, they strove to give life and weight to ideals of order and proportion, to provide a vision of timelessness. In 'Double Dragon,' we can see the cracks in the brick, the mold growing on the drainage pipes, the unmistakable deterioration of the world we live in.
I think sincerity was my sole aesthetic and realism my experimental technique.
From his style, you’d think Jason Brannon was the dark double of Ray Bradbury. He cares more about character and realism than most writers I’ve read and his plots flow like well-orchestrated music. Indeed, Brannon’s writing has a classical feel, reminiscent of the best traditional work in the genre, even when he’s going for gut-wrenching terror and torture in-extremis.
I live more than a double life, honestly. I have so many personalities, I live more than a double life.
If I wasn't doing this kind of exploration, I'd like to be doing some other kind of exploration. It might be more risky, or less risky, but, in the business of exploration, risk is part of the territory.
Unfortunately, philosophers of science usually regard scientific realism and scientific anti-realism as monistic doctrines. The assumption is that there is one goal of all scientific inference - finding propositions that are true, or finding propositions that are predictively accurate. In fact, there are multiple goals. Sometimes realism is the right interpretation of a scientific problem, while at other times instrumentalism is.
Realism should only be the means of expression of religious genius... or, at the other extreme, the artistic expressions of monkeys which are quite satisfied with mere imitation. In fact, art is never realistic though sometimes it is tempted to be. To be really realistic a description would have to be endless.
Aesthetic life is not something sophisticated - that's a humanistic lie. Aesthetic life is as integral to being human as building sandcastles on the beach and giving your children names.
The Puritan, of course, is not entirely devoid of aesthetic feeling. He has a taste for good form; he responds to style; he is even capable of something approaching a purely aesthetic emotion. But he fears this aesthetic emotion as an insinuating distraction from his chief business in life: the sober consideration of the all-important problem of conduct. Art is a temptation, a seduction, a Lorelei, and the Good Man may safely have traffic with it when it is broken to moral uses--in other words, when its innocence is pumped out of it, and it is purged of gusto.
All I want to do is realism and follow the tradition of realism. And explore what realism should be now be after the ubiquity of smartphones. I'm trying to answer the question. I don't think I'll ever have the words, but hopefully I'll have a few images.
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
The history of exploration has never been driven by exploration. But Columbus himself was a discoverer. So was Magellan. But the people who wrote checks were not. They had other motivations.
Two attempts have been made in the world to found social life: the one was upon religion, and the other was upon social necessity. The one was founded upon spirituality, the other upon materialism; the one upon transcendentalism, the other upon realism.
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