A Quote by E. L. Doctorow
Because like all whores you value propriety. You are creature of capitalism, the ethics of which are so totally corrupt and hypocritical that your beauty is no more than the beauty of gold, which is to say false and cold and useless.
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This world in which we live needs beauty in order not to sink into despair. Beauty, like truth, brings joy to the human heart, and is that precious fruit which resists the erosion of time, which unites generations and enables them to be one in admiration. And all this through the work of your hands . . . Remember that you are the custodians of beauty in the world.
There are two kinds of beauty; there is a beauty which God gives at birth, and which withers as a flower. And there is a beauty which God grants when by His grace men are born again. That kind of beauty never vanishes but blooms eternally.
There is a slow-growing beauty which only comes to perfection in old age.... I have seen sweeter smiles on a lip of seventy than I ever saw on a lip of seventeen. There is the beauty of youth, and there is also the beauty of holiness—a beauty much more seldom met; and more frequently found in the arm-chair by the fire, with grandchildren around its knee, than in the ball-room or the promenade.
Beauty and strength were, both of them, much esteemed; Then wealth was discovered and soon after gold Which quickly became more honoured than strength or beauty. For men, however strong or beautiful, Generally follow the train of a richer man.
Nor can they understand why a totally useless substance like gold should now, all over the world, be considered far more important than human beings, who gave it such value as it has, purely for their own convenience.
Happily there exists more than one kind of beauty. There is the beauty of infancy, the beauty of youth, the beauty of maturity, and, believe me, ladies and gentlemen, the beauty of age.
The refining influence is the study of art, which is the science of beauty; and I find that every man values every scrap of knowledge in art, every observation of his own in it, every hint he has caught from another. For the laws of beauty are the beauty of beauty, and give the mind the same or a higher joy than the sight of it gives the senses. The study of art is of high value to the growth of the intellect.
The scientist does not study nature because it is useful to do so. He studies it because he takes pleasure in it, and he takes pleasure in it because it is beautiful. If nature were not beautiful it would not be worth knowing, and life would not be worth living. I am not speaking, of course, of the beauty which strikes the senses, of the beauty of qualities and appearances. I am far from despising this, but it has nothing to do with science. What I mean is that more intimate beauty which comes from the harmonious order of its parts, and which a pure intelligence can grasp.
The criterion of true beauty is, that it increases in examination; of false, that it lessens. There is something, therefore, in true beauty that corresponds with the right reason, and it is not merely the creature of fancy.
This world in which we live needs beauty in order not to sink into despair. It is beauty, like truth, which brings joy to the heart of man and is that precious fruit which resists the year and tear of time, which unites generations and makes them share things in admiration.
My concern today is with the painting of manners of the present. The past is interesting not only by reason of the beauty which could be distilled from it by those artists for whom it was the present, but also precisely because it is the past, for its historical value. It is the same with the present. The pleasure which we derive from the representation of the present is due not only to the beauty with which it can be invested, but also to its essential quality of being present
What makes the theory of relativity so acceptable to physicists in spite of its going against the principle of simplicity is its great mathematical beauty. This is a quality which cannot be defined, any more than beauty in art can be defined, but which people who study mathematics usually have no difficulty in appreciating.
There can be no other criterion, no other standard than gold. Yes, gold which never changes, which can be shaped into ingots, bars, coins, which has no nationality and which is eternally and universally accepted as the unalterable fiduciary value par excellence.
Beauty is like a train that ceaselessly roars out of the Gare de Lyon and which I know will never leave, which has not left. It consists of jolts and shocks, many of which do not have much importance, but which we know are destined to produce one Shock, which does...The human heart, beautiful as a seismograph...Beauty will be CONVULSIVE or will not be at all.
There are various orders of beauty, causing men to make fools of themselves in various styles, from the desperate to the sheepish; but there is one order of beauty which seems made to turn the heads not only of men, but of all intelligent mammals, even of women. It is a beauty like that of kittens, or very small downy ducks making gentle rippling noises with their soft bills, or babies just beginning to toddle and to engage in conscious mischief — a beauty with which you can never be angry, but that you feel ready to crush for inability to comprehend the state of mind into which it throws you.
In my view, there was a long period in which analytical philosophy had little to say about ethics. I think their intellectual tools did not do well with it, and analytical philosophy was above all about revolutionizing the philosophical tool box. It was more or less assumed that the Truth about ethics was some form of utilitarianism (perhaps because some consequentialist calculus looked to them like a respectable tool). Kantian ethics was then interpreted as a particularly odious version of the False - "deontology" - and treated with contempt.
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