A Quote by Emanuel Steward

The state of mind of a fighter is so important. I don't like to see a fighter stay locked up in a room. Sometimes it works against them. They think and they worry. They dwell, sitting in that dark room. You come back and they're psyched out. I like to see boxers eat and then walk, mingle with people. You have to have a certain amount of movement.
There are rules that say 'If a fighter gets old, when a fighter slows down, when a fighter stops looking the same, then he can never come back.' I don't like that.
One thing I see in a lot of coaches is they try to live through the fighter. You can't live through the fighter. You gotta allow the fighter to be the fighter, and do what he do, and you just try to guide him. Why should I have to live through a fighter, when I went from eating out of a trashcan to being eight-time world champion? I stood in the limelight and did what I had to do as a fighter. I've been where that fighter is trying to go.
You know how a fighter always comes into the dressing room way before a fight? That's me - I'm like a fighter.
Pain is like a new room in your house that you never knew you had. If you had known, you would have bolted and locked the room past any entering. But truly, it is a room like any other, four glaring white walls and a dark hard floor, and if you don't try to get out, it is possible to remain in it. Once you tried to get out, you ... couldn't ... stand ... it. Don't think of getting out.
You can sometimes avoid costly mistakes. Paint a corner of the room a certain color to see how the light affects it. Or buy just one yard of an expensive fabric to see how you like it in your room.
I'm not scared of anyone. I don't care whether you are a jiu-jitsu fighter or a wrestler or a stand-up fighter: I want to put myself against you, and I want to see who is better. And if you are the guy that is going to beat me, I'm going to take that loss like a man and go back, and I'll work on me self. That's how I look at fighting.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
When I see a fighter gets into the ring, I not only see the fighter, but I see his wife and children. I care about what happens to them. I care about what happens to that fighter after he gets out of the ring.
The thing everybody thinks of when they think about Russia is how tough the people are. When they see a fighter continuously pulling out, that's something that they really don't like. Then they look at a guy like Conor who always shows up and does what he says he's going to do. That really resonates with the Russian public.
When you start to really travel and you get to these abstract like places in the world, you would see certain people's names. It seemed like we could go anywhere. Like when we went to Afghanistan, you'd see in the dressing room Run DMC's name. Certain rappers are like journey men.
Reading Shakespeare is sometimes like looking through a window into a dark room. You don't see in. You see nothing but a reflection of yourself unable to see in. An unflattering image of yourself blind.
David Roberts, who is a writer at Vox who I like, had a line about the voter - your voters weren`t locked in the room with you, Republican establishment. You were locked in the room with them.
I want people to read good work. If I see someone reading a book by Lorrie Moore or Jennifer Egan, I'm psyched. If I see them reading X Latin American Writer Who Sucks, I'm not psyched. But in terms of news, I do think that's important.
The hardest lesson is Clare’s solitude. Sometimes I come home and Clare seems kind of irritated; I’ve interrupted some train of thought, broken into the dreary silence of her day. Sometimes I see an expression on Clare’s face that is like a closed door. She has gone inside the room of her mind and is sitting there knitting or something. I’ve discovered that Clare likes to be alone. But when I return from time traveling she is always relieved to see me.
In my room as a kid... I'd play a fighter and get knocked to the floor and come back to win.
Blackness is a state of mind and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white women. So out of that reason alone, I identify more with the black community.
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