A Quote by Ambrose Bierce

Clarinet n. An instrument of torture operated by a person with cotton in his ears. There are two instruments worse than a clarinet – two clarinets. — © Ambrose Bierce
Clarinet n. An instrument of torture operated by a person with cotton in his ears. There are two instruments worse than a clarinet – two clarinets.
There are two instruments worse than a clarinet - two clarinets.
The clarinet is a musical instrument the only thing worse than which is two.
When I first met Benny Goodman he wouldn't talk about anything but clarinets, mouthpieces, reeds, etc. When I tried to change the subject, he said 'But that's what we have in common. We both play clarinet.' I said, 'No, Benny, that's where we're different. You play clarinet, I play music.'
The guitar is such an incredible instrument; it plays classical, flamenco, jazz, country, bluegrass, rock, acid, blues. You'll never see a clarinet playing Black Sabbath. But you will see a guitar in a clarinet band playing rhythm. It is the most popular instrument in the world; it is the one everybody loves.
The ability to play the clarinet is the ability to overcome the imperfections of the instrument. There's no such thing as a perfect clarinet, never was and never will be.
Benny Goodman was one of the big influences as a clarinet player. That's why I wanted the clarinet.
We decided to do some of Merle's things with modern instrumentation. We used a flute, a bass clarinet, a trumpet, a clarinet, drums, a guitar, vibes and a piano.
The clarinet chose me more than I chose the clarinet.
It couldn't have been more nerdy or bizarre, playing the clarinet. But I studied classical clarinet, went to the high school for music and art in New York City, and then found the guitar and the mandolin after it.
Clarinet is often associated with certain genres, like swing or folk music. I combine the old and new, using the clarinet as an expressive tool and not in one genre. I'm just happy that people are drawn to what I do.
Clarinet is an incredible instrument. It's a great, expressive instrument.
I was focusing on sax while at Berklee, but then I started to play Brazilian choro and Colombian music. I was doing more folkloric stuff on the clarinet because it works better. Finally, I realized I was working more on the clarinet than the saxophone, and I started to feel more comfortable on it.
I was already playing the clarinet and the piano. My father's a piano player. But I wanted to play in a funk band, and the clarinet wasn't fit. So you was "Hey, man, can I sit in?" They're like, "No, man." So I started fooling around with the bass.
Some old people, they remember that they used to play clarinet, and they remember the squeaks of the clarinet. But I don't play like that.
Then when I was in grammar school I played the clarinet, and then, after clarinet I played the flute in college orchestra - besides singing in the college chorus and things like that.
I understood that if I wanted to work, the saxophone was the main instrument. The clarinet was what we call a double.
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