A Quote by Amy Gerstler

There is an element in some of my work that has to do with being an outsider, feeling like not part of the dominant culture. — © Amy Gerstler
There is an element in some of my work that has to do with being an outsider, feeling like not part of the dominant culture.
The feeling of being an outsider was a big part of my childhood. I think that helps comedians. That feeling of being an outsider. That desire for a perspective that's all your own. The idea for me to make stuff myself with my own meaning came from that as well.
Most women in our culture, then, are disordered when it comes to issues of self-worth, self-entitlement, self-nourishment, and comfort with their own bodies; eating disorders, far from being 'bizarre' and anomalous, are utterly continuous with a dominant element of the experience of being female in this culture.
The percentage of Indian kids doing some sort of artistic work is much higher than in the general population - painting, drawing, dancing, singing. The creation of art is still an everyday part of Indian culture, unlike the dominant culture, where art is sort of peripheral.
Metal is the feeling of being an outsider, but still being part of something huge.
I was on television a couple of years ago and the reporter asked me, "How does it feel being on mainstream media? It's not often poets get on mainstream media." I said, "Well I think you're the dominant media, the dominant culture, but you're not the mainstream media. The mainstream media is still the high culture of intellectuals: writers, readers, editors, librarians, professors, artists, art critics, poets, novelists, and people who think. They are the mainstream culture, even though you may be the dominant culture."
I think that part of being a good journalist, part of being an awake member of the world you're in, is to view yourself as an outsider, and I always have, to some degree.
I think that part of being a good journalist, part of being an awake member of the world youre in, is to view yourself as an outsider, and I always have, to some degree.
I think being funny had something to do with feeling like an outsider, not feeling cool - insecurity.
Mainstream Canadians, what some might call the dominant culture, like to think this racism doesn't happen. It's important to remind people that it does and that we have work to do to end it.
You go through your life feeling like an outsider, and you respond to society in a different way when you feel like an outsider.
Many teachers of the Sixties generation said "We will steal your children", and they did. A significant part of America has converted to the ideas of the 1960s - hedonism, self-indulgence and consumerism. For half of all Americans today, the Woodstock culture of the Sixties is the culture they grew up with - their traditional culture. For them, Judeo-Christian culture is outside the mainstream now. The counter-culture has become the dominant culture, and the former culture a dissident culture - something that is far out, and 'extreme'.
In some ways, my most comfortable feeling has been that of being an outsider coming in, but over the years I've tired of that and I'm ready to feel at home. That's what music gives me: a feeling of absolute home.
I tend to write about people. I look at things from the bottom up and from the perspective of outsiders. A part of me just identifies with them. It's my messed up internal nature that I always feel like an outsider. It's just my nature. At film festivals, I was an outsider for sure, but I always felt like one as well. I have that feeling at parties, too. I don't belong there.
Unfortunately, in my home, we didn't speak Arabic; it was a mixed culture. My mother played a dominant role in our educational upbringing, and we grew up as part and parcel of Belize's culture.
I'm not against other cultures, but I believe what the Germans call a "leitkultur", a dominant culture that we should have, even in our constitution state, what our dominant culture is and that our laws should apply to that culture and to no other one.
The feeling of being an outsider, and the identity theme, are hardwired into me. If there's anything really autobiographical in my fiction, it's that feeling. I always feel that way.
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