A Quote by Amy Schumer
Want me to Stevie Wonder my way to the bathroom?
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Stevie Wonder doing [carpool karaoke] it was a massive turning point because he's Stevie Wonder. Like, there's no one else in the world who can go, I don't really want to do it. And you go oh, so it's good enough for Stevie Wonder but it's not good enough for you?
Stevie Wonder is just one of those guys that completely delivers everything that you want to be true about Stevie Wonder. He's an amazing human being, and the fairytale exists with that man.
Could a person really make a social contribution through music consciously? I mean, beyond making a person happy to hear the song and more making a social contribution consciously through your music? For me, Stevie Wonder is the paragon of that. And I didn't want to be Stevie Wonder, but I did want to do what he does.
'Master Blaster,' by Stevie Wonder, is up-tempo and fun, like Stevie himself. Stevie's always making jokes; he really knows how to put people at ease. He's one of my inspirations, as a musician and a person.
I think I'm more influenced, just in general, not by blues artists, but more by stuff from Curtis Mayfield, Stevie Wonder. Stevie Wonder is probably my biggest musical influence of all. And Donny Hathaway.
I live by syllogisms: God is love. Love is blind. Stevie Wonder is blind. Therefore, Stevie Wonder is God. I don't know what I'd believe in if it wasn't for that.
Stevie Wonder used to come the ball games and they would have a guy sitting with him. And the guy would be holding on to his arm, telling him what's going on, and he would say, "Hey, the big chocolate guy just put down a thunder dunk. The chocolate guy with another monster dunk." And Stevie Wonder actually gave me the nickname Chocolate Thunder.
I love Sly Stone and James Brown and Stevie Wonder, and I want my music to reflect some of that.
Stevie Wonder, he gave me some good advice. Tell me to keep working.
What I love about Stevie Wonder is the way he makes people feel. He's one of the best examples of how music can heal.
I still listen to older music a lot more than new singers. I listen to whatever's on the radio, but when I want to listen to something that moves me I put on a Stevie Wonder record.
I always loved LeAnn Rimes and especially Clint Black for his soulfulness. As I've gotten older, my influences have broadened - John Mayer, Michael Buble, Stevie Wonder, Keith Urban, Stevie Ray Vaughn, the Beatles - all of these artists have somehow been a part of my development as a songwriter.
The world of Stevie Wonder - in particular, the kind of overflowing joy that exists in every single thing I've ever heard him do, every note he sings - that is so deeply inspiring to me in every way.
Stevie Wonder's records introduced me to '70s soul when I was 12 or 13.
Raphael Saadiq said to me, quite often, that Chuck D was his history teacher. And so he got a lot from the music, things that he wasn't getting maybe in school. And I feel the same way with regards to Earth, Wind & Fire, Stevie Wonder.
I probably wouldn't be singing if not for Michael Jackson. When I started singing, I didn't like my tone until my mom put me on to Michael Jackson and Stevie Wonder, so listening to the way they used their instrument helped me get more comfortable with my own.
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