A Quote by Emily Blunt
I'm Sudafed-ed up, but it's alright because I'm having to do this rather sultry scene, so maybe it's OK that my voice is three octaves lower.
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Of course, your voice always sounds better in the shower for some reason, maybe it's just the octaves or, I don't know, the water, I have no idea.
Playing octaves was just a coincidence. And it's still such a challenge, like chord versions, block chords like cats play on piano. There are a lot of things that can be done with it, but each is a field of its own. I used to have headaches every time I played octaves, because it was extra strain, but the minute I'd quit I'd be all right. But now I don't have headaches when I play octaves.
One day I promised God that if he would give me my voice back I would never smoke again. I got three octaves back after quitting.
I know you can't see it, not you, Ed, but maybe if I tell you the whole plot you'll understand it this once, because even now I want you to see it. I don't love you anymore, of course I don't, but there's still something I can show you. You know I want to be a director, but you never truly see the movies in my head and that, Ed, is why we broke up.
It's wonderful. It's amazing. I mean we have such a great music scene and art scene and there's just a great group of young people, you know, temping their way through their 20's doing other amazing things. And I've been in...I spent like 10 years working here without ever having been shooting in Toronto. And it's so frustrating because it's a great city. And I remember seeing Montreal actually used as Montreal in that Ed Norton-Robert DeNiro.
Four fifty-four for gas... because we have nobody that calls up OPEC... and say, [mobster voice] 'That. Price. Better. Get. Lower. And it better. Get. Lower. Fast.'
Until I am free to write bilingually and to switch codes without having always to translate, while I still have to speak English or Spanish when I would rather speak Spanglish, and as long as I have to accommodate the English speakers rather than having them accommodate me, my tongue will be illegitimate. I will no longer be made to feel ashamed of existing. I will have my voice: Indian, Spanish, white. I will have my serpent's tongue - my woman's voice, my sexual voice, my poet's voice. I will overcome the tradition of silence.
As they were leading me up, I looked up and around the galleries and I could feel the whole Aboriginal race, of those who had gone before, were all up there, and I could visualise, I could hear voices and amongst those voices was the voice of my grandfather saying, 'It's alright now boy, you are finally in the council with the Australian Elders. Everything is now going to be alright.'
I was a child prodigy who had a freak voice of something like four octaves.
It really depends, but, generally speaking, just because of the mechanics of it, voice-over is easier because there is no hair, no makeup, no wardrobe, no fittings, no line memorizing. You don't have to me woken up in Russia at 6 in the morning and go film a scene. It's just easier on the body, the family life to do voice-overs.
You never learn anything in school. Think about how many car accidents happen every day. Driver’s ed? What’s up? I still haven’t been to driver’s ed because if everybody I know has been in an accident, I can’t see how driver’s ed is really helping them out.
Obviously when you're a teen you have no money, so you make, like, three outfits out of one dress. You're like, 'OK cut the arms here. Alright: New party, cut them to here.'
My first ever sex scene in a movie was in 'Superbad.' Because I was 17, for legal reasons my mother had to be on the set. It was real awkward, but it worked out OK because when I watched the movie with her, the sex scene wasn't awkward because she'd been right there when it happened.
I’ve worked with such legendary guitar players as Allan Holdsworth, Ronnie Montrose, Eric Clapton, Lowell George and Steve Vai, but none of them come close to having Ed’s [Eddie Van Halen's] fantastic combination of chops and musicianship. I rank him along with Charlie Parker and Art Tatum as one of the three greatest musicians of my lifetime. Unfortunately, I don’t think Ed puts himself in that class.
All I ever wanted to do was write songs, and I just dreamed of putting out an album and having a single that maybe did alright.
I like to play in the deep register. I was never a high-note specialist. My range goes from the bottom of the horn up to around C or D. High D is about it for me ... about two-and-a-half octaves, I think. But in these two-and-a-half octaves, I can say everything I have to say.
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