A Quote by Emily Giffin

I always find something in common with my protagonist, particularly when I write in the first person. — © Emily Giffin
I always find something in common with my protagonist, particularly when I write in the first person.
First person allows deeper insight into the protagonist's character. It allows the reader to identify more fully with the protagonist and to share her world quite intimately. So it suits a story focused on one character's personal journey. However, first person shuts out insights into other characters.
People concentrate, particularly for their own purposes, on dividing people, and it's just not necessary. If you actually spend time with somebody, in 10 minutes, you'll find something in common, and it's powerful when you do. When you find you've got something in common with somebody, all of a sudden, you're friends.
My preferred style is to write in first person, so I always have to play around with possible narrator voices until I find something that works.
I love when a protagonist and antagonist can find common ground.
In 2007, I sold my first book, 'Grimspace.' It says it's SF on the spine. I believe it to be SF, though it's certainly written differently. I write in first person, present tense, and the protagonist is a woman with a woman's thoughts, feelings, and sexual desires.
The first thing our Chapman screenwriting professors taught us was that all stories share one thing in common: there is a protagonist, and that protagonist has a goal that he or she has difficulty achieving. Does Luke Skywalker become Luke Skywalker if he doesn't get pulled into the Death Star, if his best friend isn't turned into carbonite?
I'm always telling my students go to law school or become a doctor, do something, and then write. First of all you should have something to write about, and you only have something to write about if you do something.
Songwriters I've always been drawn to are people who deal with something of depth in the lyric writing. ...I've always been influenced by the folk song, the storytelling tradition in folk music. And so for years I wrote mostly story songs. I still do that, but as I've gone on, it's gotten a little more personal. I used to write mostly in the third person. I write a little more in the first person now.
I'd love to write something for a male protagonist. That's sort of the next frontier for me. I think it'd be really amazing to write the kind of parts that I love for women but for a guy.
I find it hard to write in the first person.
I try to have something in common with my protagonists, especially when I'm writing in the first person.
I always start a book thinking that it can be something other than first-person present, and I always come back to first-person present. It's just the easiest way.
You don't see people that are willing to say 'You know what, you might be different politically, but let's find some common ground, let's find ways that we're actually similar.' We just assume immediately that we have nothing in common, what can even talk to that person about.
I've never sat down and tried to write something for some occasion. You just write the tune and stay totally wide open to everything. It'll find the person or persons who are supposed to do it.
Creativity is basically a feminine process. I'm convinced that we have in our soul, everybody, this masculine side and this feminine side. So at the end of the day, you always use this feminine creative energy to write or to do any type of art or creativity. So if I see that my protagonist is feminine, it's not more difficult, no. And even when my protagonist is masculine, I'm writing from using this feminine energy.
I try to write about small insignificant things. I try to find out if it’s possible to say anything about them. And I almost always do if I sit down and write about something. There is something in that thing that I can write about. It’s very much like a rehearsal. An exercise, in a way.
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