A Quote by Emily Yoffe

The biggest problem is that people want to tell the whole story, and they write letters that are way longer than anything I could possibly run. — © Emily Yoffe
The biggest problem is that people want to tell the whole story, and they write letters that are way longer than anything I could possibly run.
Can you imagine if you really let it in that you are not a problem to be solved in any way? Imagine you knew that anything that would tell you otherwise is just a movement of thought in the mind that says "Whatever is, isn't the way it is supposed to be." So the biggest act of compassion starts within. And when the self is no longer seen as a problem, this is called "the peace that passes all understanding."
I never believed I could write anything. No way - write a whole story? Figuring out all that plotting and symbolism? How do you foreshadow things?
If, in the schools, the classical language would no longer be taught, whom could we entrust with the writing of memorials, documents, letters and notes in the public service? How could we possibly assign important offices and heavy responsibilities to someone who cannot even write fluently?
Most people are much better at saying things in letters than in conversation, and some people can write artistic, inventive letters, but when they try a poem or story or novel they become pretentious.
If it's commercial fiction that you want to write, it's story, story, story. You've got to get a story where if you tell it to somebody in a paragraph, they'll go, "Tell me more." And then when you start to write it, they continue to want to read more. And if you don't, it won't work.
I have to write the story I want to write. I never wrote them with a focus group of 8-year-olds in mind. I have to continue telling the story the way I want to tell it.
But the underdog socialists' biggest problem isn't that they are wrong. They are not. Their biggest problem is that they're dull. Dull as a doorknob. They've got no story to tell; nor even the language to convey it in.
I'm giving away my family's story. Who owns the family's story? I don't. But you could turn it around and ask, 'Who is to deny me to write my family's story?' I have hurt people, but I don't think in a dangerous way. But you can't tell.
Yes, I receive fan mail. One of my favorite things to do is sit down and read the letters people write. It's really amazing the time people take to write these letters, tell their stories, draw pictures, etc.
I tell the songwriter's story. When I read people's lyrics, I'm so amazed. I want to tell this story and make it part of my life. I usually can't write lyrics down, but I can sure tell that story. You've got to make people feel the hurt and love in each song.
One of the biggest, and possibly the biggest, obstacle to becoming a writer... is learning to live with the fact that the wonderful story in your head is infinitely better, truer, more moving, more fascinating, more perceptive, than anything you're going to manage to get down on paper.
Gaza is such a tremendous humanitarian problem, it's way beyond Israel's capability to do anything significant about. It's a world problem, but the world doesn't want to do anything about it. That the world has packed them like sardines in a tiny piece of territory run by a fanatic Islamic group, run by a fanatic group like Hamas. Unless the world decides it wants to tackle this problem, that they want to deal with refugees there, prepare to absorb some of the refugees.
Oftentimes, when people write me 4,000-word letters, I write them back and tell them if their problem's that complicated, they probably need a lawyer or a cop, and not me.
Memoirists, unlike fiction writers, do not really want to 'tell a story.' They want to tell it all - the all of personal experience, of consciousness itself. That includes a story, but also the whole expanding universe of sensation and thought ... Memoirists wish to tell their mind. Not their story.
The way that I work as an actress, I always prefer to read the whole story and tell the whole story and feel what the whole story's going to be, the journey for the audience and how it ebbs and flows, the highs and the lows.
I don't tell people, 'You're okay the way that you are.' That's not the right story. The right story is, 'You're way less than you could be.'
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