A Quote by Emily Mortimer
I think we probably will end up in America because he would be giving up much more to come and live here. If you want to work in film, that's really where you have to be. But I'm not sure that being an ex-pat is very good for one's sense of self.
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It's very much like filmmaking always is-you're always asked to do something that you're not sure you know how to do. So you make an educated guess as to what you think will work and you hope between that and plan B, that you can end up with a product that's really good.
I believe if any of these candidates really understood that America is in the crosshairs of God, and that America will never be made great again. None of them will be able to lift America up but letting the Black man go and giving us justice that will save America... I am almost sure that if they don't do that, it will be said: "We must get rid of Farrakhan." And that will bring about the destruction of America even more quickly.
What destroys more self-confidence than any other educational thing in America is being assigned to some remedial math when you get into some college, and then it's not taught very well and you end up with this sense of, 'Hey, I can't really figure those things out.'
Ireland is such an amazing country, and I have this little dream in the back of my head that someday I'll end up living there. When I've established myself in America and I don't need to live near the action, so to speak, and if you're good, the work will come to you. I feel very Irish; maybe that's why I've been so lucky with my career.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
Be sure that the reason you are in the business is not to be a star, but because you love the craft of acting. If you have a real passion for it and acting is what you want to do every day, you are much more likely to be successful. If being a star is your primary goal, you may end up being very disappointed.
What I noticed is that the lens from which people want to look at 'Minari' is just from that Asian-American angle. And I think that can end up being very frustrating. Because the craft of the film, and this film itself, is meant to embody a lot of different things.
Time will tell ... whether folks want to point and stare at the black woman filmmaker who made a certain kind of film, and pat her on the back, or if they want to actually roll up the sleeves and do a little bit of work so that there can be more of me coming through.
I grew up in New England. I think I was brought up with the Puritan ethic: that if you worked really hard in life, then good would come to you. The harder you work, the luckier you get. I've come to believe that it's the smarter you work, the better.
I don't think I would live outside of the Northwest. I think the quality of life in Portland is really good. People move from intense, high-powered jobs, and move to Portland, work half as much and live twice as good. They can afford bigger houses, or they can actually afford to buy a house, they can work the minimal amount and still get by. I think there's a really strong sense of community there. It's beautiful.
I'll come up with an idea for a character, and I'll write some jokes and make sure that that character is going to have some legs to it - that it's really going to work. If I can come up with jokes and material that I think will work, then I make a cheap version of the doll. Achmed started out just being this little plastic toy from the store.
This is what I want everyone to experience at the end of my concert...
everyone has this sense of rejoicing.
I don't want them to be blown away by what I do,
I want them to have this sense of real, real joy
from the depths of their being.
Because I think when you take them to that place,
then you open up a place where grace can come in.
In my work, I'm always trying not to put barriers up between the 'good poor' and the 'bad poor.' I'm not sure my work will change things much, but at the very least, you want to make people feel that they are not alone.
I'm right now wrapping up the sermon series on grace. I'd like to figure out what this next series will be in January. To do that, I'm going to come up with four or five really good ideas - at least that I think are really good ideas - and if I don't sense God really highlighting one of those, I will go to the elders of our church and my co-pastors.
The scheduling thing is really weird with TV shows. Certain projects haven't been able to work out because of the schedule, so some of it is out of your control. You don't have very many opportunities. There isn't much time, so you want to make sure you're going to be doing something that you really feel good about or that you're going to have a good creative experience doing. You're taking up vacation time from your job, so you want it to be meaningful.
I used to go into pubs and people would want to pick a fight with me. I would hear a group of girls say: 'Oh look, there's Pat Cash.' And then one of them would come up to me and say, 'You think you're so good,' and throw a drink in my face. That kind of reaction from people was a bit of a shock initially, and you don't ever really get used to it.
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