A Quote by Emily Mortimer
I want any excuse to come home. My dad is not a spring chicken any more. If anyone says, 'Go buy a postage stamp in London,' I'll go and do it.
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As anyone who even remotely knows me, I will eat chicken with some chicken, and maybe more chicken. Chicken done any which way, basically.
I don't come from any type of entertainment. I come from a basketball family. My dad still says, 'Trevor, are you sure don't want to play basketball? You can play in college and go to the NBA!' But I did play.
I don't go to premieres. I don't go to parties. I don't covet the Oscar. I don't want any of that. I don't go out. I just have dinner at home every night with my kids. Being famous, that's a whole other career. And I haven't got any energy for it.
If a man has come to that point where he is no content that he says; I do not want to know any more, or do any more or be any more, he is in a state in which he ought to be changed into a mummy.
People come into work and actually go home to their families. They want to go there and explore and have a good time, but they also want to go home, which is the best kind of working environment. You go in and do your job, and then you go home and enjoy your life.
I think I did experience culture shock. When I first arrived in Boston, I was basically told to go home. "Homeboy" is what they called me - very funny. I didn't take offense. I just thought, This is exactly where I want to be. The pace was different. Houston is a sprawling city. Boston is just crammed into the size of a postage stamp.
There ain't any news in being good. You might write the doings of all the convents of the world on the back of a postage stamp, and have room to spare.
You come to work knowing you're going to do good work without any doubt. You can go where you need to go and nothing is wrong and you pick the rightnesses out. If something doesn't work, you let them go, but you don't hold onto those wrongnesses. You just hold onto the rightnesses, so it's a playing field that anyone would want and feel much more comfortable with.
There aint any news in being good. You might write the doings of all the convents of the world on the back of a postage stamp, and have room to spare.
Well we have a tiny garden, it's like a postage stamp, so generally we try to get out to the parks in London as much as possible.
[Calvin, who has the chicken pox, calls Susie on the telephone.] Susie: Hello? Calvin: Hi, Susie! It's me, Calvin! I was wondering if you'd like to come over and play. Susie: Why, sure! Boy, I don't think you've ever invited me to... Calvin's Mom: Calvin, what are you doing? Calvin: Nothing, Mom. Go away. Calvin's Mom: You're contagious! You can't have anyone over to play! Calvin: Shhhh! Shhhh! You'll spoil the whole thing! I was going to trick Susie into catching... HEY! OW! LET GO! Susie: [Hanging up the phone] Any chance of getting transferred, Dad?
If you're not that big player, then nobody's really gonna know who you are to promote the brand. If LeBron says, 'Go buy this shoe, it's amazing,' I would probably go buy it. But if some random person on the street was like, 'Hey, go buy this shoe,' I probably wouldn't.
There are two tests in life, more important than any other test. On Monday morning, when you wake up, do you feel in the pit of your stomach you can't wait to go to work? And when you're ready to go home Friday afternoon, do you say, 'I can't wait to go home?'
London is like the grave in one respect -- any man can make himself at home there; and whenever a man finds himself homeless elsewhere, he had better either die or go to London.
You can't go home and look at your plaques at the end of the day, because every politician has like a million plaques on their wall. OK? You don't go home and look at - you don't get anything for that. And you can't go home and say, boy, I really served the Democratic Party or the Republican Party. You want to go home and, you know, Fourth of July, you know, any of these special holidays that recognize our country, you want to feel like you've built a stronger nation, which means you helped build the people and put them in a stronger place where everyone's lifted.
People have different goals, when you start out making a movie. If the goal is darkness and destruction and despair, it's not like, "Hey, let's go to set, and then let's hit the bar afterwards. Let's jaunt into London and pick up some Chinese food." No, you go home from set and you go fight at the gym, and then you go to sleep. You stay in it. You never excuse yourself, you never take it easy on yourself, you never eat good food.
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