A Quote by Emma Goldman

The most disheartening tendency common among readers is to tear out one sentence from a work, as a criterion of the writer's ideas or personality. — © Emma Goldman
The most disheartening tendency common among readers is to tear out one sentence from a work, as a criterion of the writer's ideas or personality.
The ear is the only true writer and the only true reader. I know people who read without hearing the sentence sounds and they were the fastest readers. Eye readers we call them. They get the meaning by glances. But they are bad readers because they miss the best part of what a good writer puts into his work.
Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there. On one level this truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language. I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence. The language of my books has shaped me as a man. There's a moral force in a sentence when it comes out right. It speaks the writer's will to live.
I'm a very laboured writer. I hammer it out sentence by sentence, and it takes a long time. That's what the work is, right? To make the reader think it is not hard to do.
Now in creative thought common sense is a bad master. Its sole criterion for judgement is that the new ideas shall look like the old ones. In other words it can only work by suppressing originality.
There is a serious tendency towards capitalism among the well-to-do peasants. This tendency will become rampant if we in the slightest way neglect political work among the peasants during the co-operative movement and for a very long period after.
We see, then, that the disappearance of the conscious personality, the predominance of the unconscious personality, the turning by means of suggestion and contagion of feelings and ideas in an identical direction, the tendency to immediately transform the suggested ideas into acts; these, we see, are the principal characteristics of the individual forming part of a crowd. He is no longer himself, but has become an automaton who has ceased to be guided by his will.
Henry Miller is a famous writer whose work has fallen out of fashion, but I strongly recommend that readers who don't know his work pick up a book and experience this writer's zealous, crazy, inventive, funny, sexy, often delirious prose.
There is only one Art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth. ... Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.
Being a writer can be isolating. It's good to be among readers and booksellers.
Learning, to be of much use, must have a tendency to spread itself among the common people.
I don't think she is underappreciated, certainly not among writers, but Alice Munro is the classic underappreciated writer among readers. It is almost a cliche now to wonder why this living legend is not more widely read.
No writer must be measured by a word or paragraph. He is to be measured by his work - by the tendency, not of one line, but by the tendency of all.
Most ideas don't work out. Almost all ideas don't work out. So it's okay if yours didn't work out.
I never wanted to be "a writer"; I only ever aspired to be an science fiction writer. They'll tear that badge out of my cold dead hands.
Within a capitalist consumer society, the cult of personality has the power to subsume ideas, to make the person, the personality into the product and not the work itself.
I think, especially among the New York intelligentsia at that time, that there was a reason Bob Dylan went to New York to happen, because there was a culture developed there around the ideas of civil rights, around the idea of democracy growing out of Emerson and Thoreau, these ideas of the fanfare for the common man.
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