A Quote by Emma Kenney
I had the perfect level, growing up, between being normal and having a little taste into Hollywood. People would recognize me once in a while, but I could still go out and have my life.
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We don't have problems. We have some protesters. Every once in a while, somebody will stand up. Today, we had a little more than normal in St. Louis in the morning. We had a number of people standing up. And it was fine. Nobody got hurt. But you know, they had to get taken out. And they're disruptive, and we do the best we can to do a little creative - have a little bit of fun with them.
If people recognize me when I'm out in public, I'm very nice to them. I'm very nice to people even when they don't recognize me. I don't even mind if people come up to me while I'm eating dinner, but if they recognize me while I'm having sex, I refuse to sign autographs.
A whole generation of people that didn't know me from 'SNL' recognize me from 'Weeds' now. People recognize me once in a while and appreciate the work. It gets a little embarrassing but it's good. If you work as an accountant, you don't have people coming up to you in the streets saying, 'Hey, great job on tax statements!'
People say to me 'You're a big Hollywood star', and I find it so funny. I still feel as though I'm the girl from Golders Green. I lead such a boring, normal life. I still go shopping in Sainsbury's. If the ability to do that was taken away from me, I'd go barmy. You lose your freedom. Be careful what you wish for.
How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life.
...
whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.
While I was still going to embrace social media, I knew I had to do things that nobody else was doing. I decided I had to meet as many people as I could - face to face. While most artists would email galleries, I would show up in the lobby. Instead of liking an art show or exhibition, I would go there and meet everyone. And while most would send a magazine a press kit, I go and meet the editor. This notion of face to face contact became my mantra.
It's great hearing stories of my mum growing up in Brooklyn, then moving to Florida, having me and growing up with this eccentric, fun family. Although I don't eat a lot of Italian things, because I'm vegan. I was raised on meat and cheese, so I've had enough for anyone's normal life span.
Normal people terrify me, because they haven't had enough problems in their life to know how to handle problems when they come up. Something little happens and they snap. But being from a dysfunctional family means nothing rattles me. Hey once you've driven a drunken father to moms' parole hearing, what else is there?
I was full of energy, and I had a lot of bottled up rage that would come out in my stage performances. It was therapy sessions for someone who couldn't afford to go to therapy, a way to release my frustration, my inhibition. When I was little, growing up in an abusive household, I felt like I didn't have a voice. Suddenly I was on stage and people were watching me and listening to me, so even if I was singing about something that didn't have to do with abuse, when I was on stage I could express all of the anger, the rage.
I played piano growing up, had lessons and all that. I still try to touch up on that every once in a while.
Texas is so big, and the place where I grew up was so little, and I was such a little thing growing up in the middle of it. I had two choices: I could either spend my life feeling insignificant, or I could look on the life I lived as a microcosm of the universe.
Every once in a while I think, 'What am I doing out here running, busting myself up? Life could be so much easier. The other guys are out having fun, doing other things, why not me?'
And once you live a good story, you get a taste for a kind of meaning in life, and you can't go back to being normal; you can't go back to meaningless scenes stitched together by the forgettable thread of wasted time.
My experiences growing up - my father lived in New York, so I was going out there in the summers and meeting really interesting people and people having what seemed to me to be extraordinary experiences and really taking advantage of these wonderful opportunities. And so I will go - I would go to the big city and watch these people performing onstage and doing television and films. And then I would go back to Hayward, and it just suddenly felt that much smaller and sort of limiting because I had this hyper awareness of how much larger the world was.
Growing up, I was the weird, theatrical kid who always tried to make people be in my plays. I've always loved comedy, but when it came time to figure out what I was going to go to school for, my parents were like, "Acting?! I don't think so. No." It took me a while to get the courage to pursue it. I had to do it in secret for a little bit, and then when I got married and was out on my own, I went for it.
When people ask me what qualifies me to be a writer for children, I say I was once a child. But I was not only a child, I was, better still, a weird little kid, and though I would never choose to give my own children this particular preparation for life, there are few things, apparently, more helpful to a writer than having once been a weird little kid.
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