A Quote by Emma Corrin
Why did the rejection of the modelling industry get to me so much? I think the answer is that these rejections were based on how I looked and I had always prided myself on a healthy amount of self-confidence which I was now rapidly losing.
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I'm fascinated by what makes up a self, how one becomes a self, how much is it an answer to others and how much is it an essence of self. We learn how to be people from other people. Then you think - what's personal freedom? Is self-creation possible? This book is dedicated to a friend of mine who really did re-create herself. I didn't do that - I stayed in the circus and am a circus performer like my parents were. I did what I was raised to do - I'm glad I did but I'm fascinated by the people who managed to do something else. I was always very curious about other people.
When the nazis came to power, I looked to the universities that prided themselves upon their intellectual freedom, and they failed me. I looked to the German press, which prided itself on the freedom of the press, and it failed me. Until at last the churches stood alone, and that for which I once had little regard earned my respect.
A positive self image and healthy self esteem is based on approval, acceptance and recognition from others; but also upon actual accomplishments, achievements and success upon the realistic self confidence which ensues.
My first book, 'To Engineer Is Human,' was prompted by nonengineer friends asking me why so many technological accidents and failures were occurring. If engineers knew what they were doing, why did bridges and buildings fall down? It was a question that I had often asked myself, and I had no easy answer.
I became an actress way into my 30s because I thought that I had to find my own way, and that's why I worked so much in modelling, until I realised that the differences between acting and modelling weren't that great. I always say that modelling is a little bit like being a silent actress.
It's extremely difficult and very challenging to be a woman in film and television. Just showing up in this business forces you to know yourself. But I learned how to deal with rejection and get tough when I was working as a model - it taught me how to put myself out there. In a way, my time modelling was a preparation for life.
When we were younger, playing a bar or a club, we did what we did to get as many people to like what we were doing. I wanted the person in the back of the room to like it as much as the ones in the front. That's how I've always looked at it.
I came to realize that I was always looking for myself in the women I loved. I looked at their lovely, clean faces, and saw myself reflected in them. They, on the other hand, looked at me and saw the dirt on my face and, however intelligent and self confident they were, they ended up seeing themselves reflected in me and thinking that they were worse than they were. Please don't let that happen to you.
In so many millennia, the humans never did figurs love out. How much is physical, how much in the mind? How much accident and how much fate? Why did perfect matches crumble and impossible couples thrive? I dont know the answer better than they did. Love simply is where it is.
Many people must have looked at my life and thought I was quite fortunate. But I felt lousy about myself - and as you now know, I didn't come from a place where I had a lot of self-confidence.
For the longest time I have had so much belief and confidence in myself, which as an actor you need, because the entertainment industry is incredible competitive, brutal, and unpredictable just when you start to think you know what's going on.
The cosmetics industry has much to answer for. It's a multi-million- pound confidence trick based on giving women endless hope, courtesy of overpriced little pots.
['John F. Kennedy] movie is based on a massive best-selling book, which is always helpful. And then the script was amazing and answered my question, "Why this? Why now?" And the "why now" is that it's 50 years since the assassination, and the country needs to have and will have a conversation about that. And the "why this" is the construct, which I think is sort of ingenious.
I get rejections from the New Yorker. When I had to give a little talk to the people graduating from the MBA program at Columbia who were going into writing and filmmaking and everything, I said, "When I tried to think of what to say, the only subject I thought was appropriate for people doing what you're going to do is rejection." That's what it's all about.
Acting is seductive. It looks so much fun. I did dally with other things. I did pupillage in a law firm, but I didn't like the look of how many files the lawyer I was working with had to take home every night. It looked like a hideous amount of work, when actors were having nice lunches and discussing books.
I think the rejection - if it's taken in the right spirit, it can make you a better person. And I think that is what I've always striven for. If one thing didn't work out, a project or anything, it doesn't mean that I lose my own confidence. In fact, I give myself a lot more confidence and opportunities.
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