A Quote by Emma Stone
I have a friend who says that roles choose you at the time that you need them most, and you have to believe, as an actor, if you didn't get a part that you really, really wanted, and it went to someone else, it was because it was theirs to begin with.
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Every time there's a really good story, there's women in it. We may not get as many roles, but the roles we get are really good, I think, for the most part.
I definitely play roles that are close to my persona. I was dying to be an actor, my whole life. I just always wanted to be someone else. Then, once I decided that I really thought I was pretty cool, I wanted to see myself.
I don't believe a role can be written keeping in mind some actor. Even if such roles exist, I don't pick them because I generally choose roles that I think will suit my image.
I started out as a writer and a director. I started acting because I wanted to know how to relate to the actors. When people ask me what I do, I don't really say that I'm an actor, because actors often wait for someone to give them roles.
Every once in a while someone says, 'You can't really learn anything, if you're really a writer then you wouldn't need to do it.' But I think what people need is the sense of not being alone. They go to MFA programs to be part of a community of people who care, and then you start caring about your friend who is trying to edit a magazine and your other friend who is stuck in the middle of her poem. There you have all kinds of things to worry about besides your own success.
That is my way of doing things, and I wouldn't necessarily recommend this to anybody else; if you need to do technical exercises, you do them. The whole point of practicing is to get to know yourself, to know your weaknesses and to zero in on them and target them. It's not really about employing anybody else's formulas, because you really have to find what is best for you and what you need.
There's two types of hecklers. If someone says something really funny it's normally them heckling as part of the show. They're trying to add onto one of your jokes. If someone says something really funny, I've never seen a comedian abuse them, you always sort of tip your hat a little bit if they nail it.
Picking roles, my way of choosing them is vastly different now than it was a long time ago, but I can only be that way now because of what I've learned from the past. So I'm choosing now not to choose any work, because when you've had such a nice ride, unexpected rides and fulfilling rides, you really don't want to take a step backwards. It's really made me satisfied in a way that I wasn't looking for, but I was blessed with it and now I feel really full, in a good way, where I don't need to rush out and go find something.
I really loved working on comedy. Most of my roles have been very dramatic and involved lots of emotional work and crying on cue. I do really enjoy those roles because you really feel accomplished at the end of the day but they are very emotionally draining! Working on a comedy show is just fun and at the end everyone is laughing! But I am open to all roles and genres just being on a set and being a part of the magic is what I love most!
I've always wanted to be a voice actor. Well I think at first I wanted to be a singer. Then in middle school I auditioned for a musical and I only really cared because I wanted to sing in it. I had to act as well as part of the audition and that was the first time I ever really acted, and I was like 'Oh hey, this is fun, I like doing this.'
Balancing is hard. I've lost roles that I really wanted because I had set up a tour. I cancelled tours to do roles before. But I have to find the time to make that up to my audience. I made a commitment to them.
You can't really explain competing in Olympic event to someone. You can say, "Oh, that was really tough." And that literally means nothing to someone. If you can give some sort of comparison, because that's really all track and field is about any way....Usain Bolt runs a time and you get to see what everybody else's time is. It would just be interesting to compare Olympians to somebody who doesn't train their whole life.
I feel like when you're videoing someone and you catch Tiger at a bad time, you show him accidentally doing something, or someone else, they're just frustrated because they really care about the game. It could really hurt them if they catch you at a potentially vulnerable time.
Unless you are a part of someone's life every day or even just with them most of the time, you will never really know what they have and had, what happened with them and how they really are, what they do, why they do it that way and what they feel.
A friend of mine passed away unexpectedly at the very end of making 'Ghosts', someone who had been as close to me as someone could get, someone who was far too young. But I couldn't really sing about it for a long time - not in the way I would have wanted to.
I don't love the business. I never wanted to be a part of it. I don't think any actor does. Most of the time, I've been really fortunate to work with people who are really fun to work with. It doesn't mean we don't take it seriously, but no one is under the delusion (that we're) bringing world peace.
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