A Quote by Emmanuelle Seigner
I don't really want to find myself face-to-face with 10,000 paparazzi. I just want to be comfortable.
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I think, in general, models tend to do their favorite faces or their comfortable face, but your facial expression is just so important. You don't want to have an editorial of 20 photos where it's just you giving a 'Zoolander' face.
I don't want to face the reality of what people want from a female pop star. Everybody always laughs because I feel so much more comfortable with, like, a giant paper bag on my whole body and paint on my face. Sometimes I try really hard to take it all off. But inevitably what's underneath is still not a straight edge. And I don't think it ever will be.
I've earned all these years on my face. I don't want to be a liar if in five or 10 years I do get some Botox, but needles in the face scare me, so I don't really know if I am ever going to do that.
The reason I became 297 pounds is because that was comfortable. What was very uncomfortable was running. What was very uncomfortable was being on a diet. What was very uncomfortable was trying to face things that I didn't want to face. And I also realized, when I was really big, I had no growth. Why? Because I was living comfortable.
I don't feel bad or scared about getting older in terms of my looks or anything like that. I'm not afraid of my face changing. I enjoy seeing my face change. I think it's really interesting. I wouldn't want to have same face for my whole life. It would be boring to look at the same face in the mirror for 80 years.
Today, the best way to communicate with someone is still face-to-face. Virtual reality has the potential to change that, to make it where VR communication is as good or better than face-to-face communications, because not only do you get all the same human cues as real-world communication, you basically suspend the laws of physics, you can do whatever you want, you can be wherever you want.
Sometimes there are paparazzi that take photos and you don't know they're there. So you're laughing, kicking up your heels and doing silly things. You don't even realize it. And then there's other times where they're two feet away from your face and it's invasive and it feels threatening, so you don't want to be smiling. You just want to get out of that situation.
When the media would call and want to interview me, I thought it was 'cause they really wanted to find out what I thought about things. I thought it was because they really wanted to find out who I am. That's not what they wanted. They already in their minds knew who I was and they didn't like it, and they wanted face-to-face opportunities to expose my defects and my problems and my racism and bigotry and all this.
I find that with dance - and with the arts in general - because I want to grow in my performance, I have to come face to face with my own personal challenges.
When there's something negative in my life, be it in the art or the music world or in my personal life, I really just want to face it as immediately as possible. I don't run from it. I just want to immerse myself in it, get through it as quickly as possible, understand it, and look into what is positive about it.
There has been inequality for so long, and now that someone like Trump is in charge, we're face to face with how much misogyny there is in the world. But things are moving quickly, and you just want to say, 'Let's think about this, because we don't want to jeopardise real change.'
Robert Pattinson has the face of a film-noir dupe. It's a face that is searching and open and kind. It's a face that a certain type of woman might want to fool because, in its intensely old-fashioned kindness, the face says, I love you. Fool me.
I really love my True Match concealer: it is great if you just want to cover some spots, and you don't have to cover your whole face. I don't really like wearing a face full of makeup all the time; I just like covering up the spots that I am a little self-conscious about.
I'm very comfortable with my sexuality, my body, my face - well, sometimes I'm not comfortable with my face, but it's stuck there and there's nothing I can do about it.
It has always seemed to me the real art in this business is not so much moving information or guidance or policy five or 10,000 miles. That is an electronic problem. The real art is to move it the last three feet in face to face conversation.
Nicki Minaj, I'm at MTV. I'm going to be honest with you: I love you. I like you. I want you; I want you to be mine. Only reason I'm not telling you this face to face is because I understand that you're busy.
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