A Quote by Andy Goldsworthy
People are the nature of the city, and you can feel it in the pavement.
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Around '93, the radio started playing 'Loser' by Beck and 'Cut Your Hair' by Pavement, and then I got way into Pavement. That was kind of a gateway drug into indie rock. I got all their B-sides, and I got that 'Hey Drag City' comp, so I got into all those Drag City bands.
As I criss-cross the city hurrying, I feel always the unchanging cold beneath the pavement.
It would be wrong to say that the city of Berlin is not regulated. What I think is more interesting is to what extent a city creates a sort of safe haven for its users, so that people feel confident that the city works on their behalf.
I love my city and I feel like the majority of the people that are in the city are people from other cities. So I think that L.A. sometimes might get a bad rap because it's known to be so Hollywood-oriented and then underneath that you have crime. But that's really the case in pretty much any major city that you go to.
It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.
I think living in Baltimore and being a part of the community and trying to be part of as many communities as possible within the city, the best thing that anyone can do in Baltimore is just to be a part of it and contribute to it and to not see it as...A lot of people from outside the city see this city for its blight and I feel like people who live within the city do the opposite and see this city for what defines it as, in my mind, the most beautiful place to live.
My spiritual connection with nature is basically what we all have - you transcend yourself. It's what happens when you see a sunset, for example. If I were using a traditional religious term, I'd say I was connecting with God. For me, I feel that much more in nature than in a city.
When you look for the environment, you find things that are in it: a hammer, a smartphone, some rusty nails, a shed, a spider, some grass, a tree. So there is a big difference between environmentality and Nature. Nature is definitely something you can point to: it is 'over yonder' in the mountains, in my DNA, under the pavement.
It sounds really over the top to say you're responsible for the city of New York, but I do feel responsibility to the city of New York, to this country, to people everywhere. So many people were affected by the events of September 11, and I feel this is one of the ways that that event will be understood and defined.
I started my company with no previous experience in jewelry, or business for that matter! I pounded the pavement, learned as I went, and I feel so lucky to have received mentorship from some truly remarkable people.
There's a theory of accidents that I studied when I was making a film about nuclear weapons: you can never eliminate accidents, because the measures you introduce to prevent accidents actually produce more accidents. That's certainly true of this sport; you're flying over 40 feet of what might look like snow, but it's hard as ice, it's as hard as pavement. You're doing acrobatic spins and tricks, 40 feet above pavement, essentially. There's been more accidents since, and there are going to continue to be more accidents, that's the nature of the sport.
My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.
Social media itself is not protest. To tweet is not to protest physically. To do a Facebook post, and though it's critical and crucial, is not to show up and embody the anger you feel, to embody the righteous outrage you feel, to embody the concern you feel. This is about putting feet to pavement and to register in the consciousness of America that this is something that's problematic.
What made it so special was the city of Houston had never won a sports championship. I think the championship changed people's thinking about their own city. It made them feel like their city had some significance that it hadn't had before.
This is the city of the underdog champion, so they want to see the next person out of their city blowing up and making I feel like, man, Atlanta's a big city, but it's so small.
I used to live in a little city by the sea, and the feeling of isolation - it was not like living in Paris or London. It was a bit apart from the main city, and [it gave me] this feeling of isolation and also being close to nature, with nature as a surrounding and also a frontier, from the society of the world.
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