A Quote by Andy Serkis
Rather than something like King Kong where I really went after studying gorillas in the wild and captivity. I based Caesar [ from the Rise of the Planet of the Apes] on a real chimpanzee and I worked with Terry [Notary] on a lot of chimpanzee movement.
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It is hardly an exaggeration to say that a chimpanzee kept in solitude is not a real chimpanzee at all.
We admit that we are like apes, but we seldom realise that we are apes. Our common ancestor with the chimpanzees and gorillas is much more recent than their common ancestor with the Asian apes - the gibbons and orangutans. There is no natural category that includes chimpanzees, gorillas and orangutans but excludes humans.
Visualize yourself confronted with the task of killing, one after the other, a cabbage, a fly, a fish, a lizard, a guinea pig, a cat, a dog, a monkey and a baby chimpanzee. In the unlikely case that you should experience no greater inhibitions in killing the chimpanzee than in destroying the cabbage or the fly, my advice to you is to commit suicide at your earliest possible convenience, because you are a weird monstrosity and a public danger.
What I thought was so great about Rise [of the Planet of the Apes ] was that it wasn't a retelling; it was an entering of the universe at a different point. So it's Planet of the Apes. We already know the ending. There's no mystery in that! It becomes Planet of the Apes. So it's not about what is at the end; it's about how did we get there? And that enabled something that was totally fresh, which was an ape-point-of-view movie.
We evolved. We have only to look at the pouting face of a young chimpanzee to laugh at its reflections of ourselves. We know that more then 98 percent of our genes are shared with the chimpanzee, but we feel the kinship directly when the furry baby puts up its arms to be held.
When I first was offered the role on Rise [of the Planet of the Apes], I always played Caesar as a human being within ape skin.
I always loved movies like 'King Kong' and 'Planet of the Apes,' monster movies, Ray Harryhausen films, all of that stuff. I always loved the music in them, too.
It's important to remember that we evolved. Now, I know that's a dirty word for some people, but we evolved from common ancestors with the gorillas, the chimpanzee and also the bonobos. We have a common past, and we have a common future.
Its important to remember that we evolved. Now, I know thats a dirty word for some people, but we evolved from common ancestors with the gorillas, the chimpanzee and also the bonobos. We have a common past, and we have a common future.
A lot of people seem to get carried away that something that's made out of paper mâché is going to be better than not. And I always thought the original King Kong, that terrible little puppet with its hair going in all directions, was far more magical than Peter Jackson's incredibly beautifully rendered King Kong. So there's something to be said for a more primitive version of things. I think it's because it makes the audience work a little bit more, because you've got to invest it with life and reality, so I like doing that.
Caesar [from the Rise of the Planet of the Apes] was brought up with human beings and because of the drug he had pretty much grown up with his whole life, he felt like an outsider, he felt trapped in an ape's body but he didn't really feel like an ape and that was my way into the character. So he's always had this duality playing him from an infant all the way to now as a fifty-five year old ape.
I want to make movies just like "King Kong." You know, dinosaurs, big gorillas - it's everything that a nine year-old boy would fall in love with.
Some folks seem to have descended from the chimpanzee much later than others.
When you start to do research into gorillas or any kind of apes, if you're going to play them, that's one of the biggest misconceptions. And when I did Kong, you're not doing gorilla movements, you're not doing ape movements, you're looking for a personality. It's like saying okay I'm going to do human movements.
I still write in long hand. I type like a chimpanzee.
To me "King Kong" is a metaphor for America's fear of the black male. And to me that's obvious. All right? So I mean that was one of the first things I said when I was talking to a friend of mine after he saw Peter Jackson's version of "King Kong."
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