A Quote by Andy Warhol
There are beautiful sounds in rock. Very lazy, dreamlike noises. You can forget about the lyrics in most songs. Just dig the noise, and you've got your sound...We're musical primitives.
Related Quotes
No matter what I do, my songs come out in a certain style, and if that sounds like Dead Kennedys, then there's probably a reason for it. Don't forget, I wrote most of those songs, music and lyrics.
Lyrics can't do what they do - or should do - when you're creating a musical with rock lyrics. There's plenty of room for rock musicals, just not all rock musicals.
When I'm writing a lyric, I totally forget about the music. I'm just looking at the lyric and thinking about it almost as a separate entity. And then I'll go to my keyboard with all the lyrics printed out and try to think of how to make this a complete musical thing. I've got a very basic keyboard with some presets.
The challenges change depending on the song. There are some songs where the lyrics are really a challenge and then there are other songs where the lyrics are there and the music is a challenge. And then you've got rock songs where the challenge is the tightness of the arrangement with the band. The music and the lyrics are there, but it's a challenge to get the arrangement correct. So I wouldn't be able to point to one thing. What the challenge is changes all of the time.
We're all about exploring new sounds, so we don't have any limits whatsoever about how we go about finding them. We do tend to sample human vocals or sample sounds, which allows you to create your own sound. That's not our only way obviously, but that's a way you can use a sound no one's used before; it's not a sound in the synth. There's a lot of that going on in our songs in general.
Well, things hold up even if they sound dated. It can be very difficult to listen to 80s pop songs with really, really gigantic smashed drum sounds. You just want to turn that gated reverb down on the snare. It sounds wrong now. It sounds amateurish. And ugly. But at the time it sounded state-of-the-art. So yeah, I think it's important not to sound state-of-the-art in a way that anybody else is going to sound. Or you'll quickly sound like yesterday's state-of-the-art.
Several times a day, stop and just listen. Open your hearing 360 degrees, as if your ears were giant radar dishes. Listen to the obvious sounds, and the subtle sounds?in your body, in the room, in the building, and outside. Listen as if you had just landed from a foreign planet and didn?t know what was making these sounds. See if you can hear all sounds as music being played just for you. Even in what is called silence there is sound. To hear such subtle sound, the mind must be very quiet.
I'm a real Otis Redding fan, and I just think he sounds so good. He sounds like he's always at the end of a long day, and he just won't give up. I just love his wearied devotion - that beautiful, beautiful, weathered sound.
I'm talking about noise rock. I don't think that noise rock element belongs in jazz. It's not for me anyway; it just doesn't fit.
A white noise app wouldn't work for me - I would be too distracted by the non-white noise noises I could still hear, even more distracted than i would otherwise be. So I have to just accept the regular noises.
The music I really like to get off on is the old rhythm 'n' blues and rock 'n' roll stuff... that's what I really dig. And I also dig to sing ballads as well. And I also dig writing my own songs. I was just trying to find a way of integrating the whole thing, taking a look at the total picture.
I'm trying to enlarge what I do with my voice, not through technique but just through the sounds. I think we all make noises, and particularly when we get involved or emotional about something, the colors and the tones of those noises change.
If you break down most rock songs and look at the lyrics on a piece of paper, it's all about melody. It's all about presentation. And a lot of bands are really great, but you can't understand a word of what they say.
I started just concentrating on songwriting when I was abut 20; I'd been in rock bands six or seven years, kinda got that out of my system, I said, "ok, you ain't gonna be a rock star, you don't look like a rock star, it probably ain't gonna happen. So what you should do is write songs and maybe other people will do your songs."
The sound of the orchestra is one of the most magnificent musical sounds that has ever existed.
The music and lyrics of Rodgers & Hammerstein connect seamlessly. Singing those beautiful songs was a joyous experience for me, and one that I will never forget.
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