A Quote by Andrew Bird
Songwriting requires some sort of ceremony to even get the process started, and it can be somewhat arbitrary.
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Pity on the person who has become accustomed to seeing in necessity something arbitrary, who ascribes to the arbitrary some sort of reason, and even claims that following that sort of reason has religious value.
Even before I wrote any songs, I had this idea of a triangle where the voice was at the top, some sort of guitar element on one side, and then some sort of really basic rhythm on the other side. That's where I started from in the recording process.
To me, music and songwriting is... part of the intriguing thing is the creative process; you know, the creative thought process. Relying on that... there is some sort of inspiration there and you can't always put your finger on where it comes from. So, it's always been important for me to have my own thing and, even though I'm inspired by and influenced by many different musicians and styles of music, I was very determined early on to have my own thing. So when I sit down to write I don't necessarily have a particular narrative or message in mind. I'm interested in language and in words.
Most restaurants in most cities, including Washington, are at a sort of mid-level. They're somewhat trendy, or they have some sort of gimmick, or they're somewhat expensive. And they make a lot of money off drinks. I tell people don't go to most of them, unless your goal is just to socialize.
But, you know, I'm sorry, I think democracy requires participation. I mean, I don't want to proselytize but I do feel some sort of duty to participate in the process in some way other than just blindly getting behind a political party.
My songwriting process, and maybe loads of other people's, is just this sort of smashing together of emotions and stuff to make some music. It's kind of simple and really complex at the same time and, as you can see, incredibly hard to explain.
My songwriting process is painful. Songwriting is brilliant. It's a load of fun - when it works. It's really difficult as well.
Personally, being somewhat envious of Richard's (Thompson) songwriting and guitar playing, it's somewhat satisfying he's not yet achieved household-name status. It serves him right for being so good.
It's sort of an organic process when you're adapting any book, not even just your own. You want to preserve the heart of the story and you want to preserve who the characters are, but film requires a lot of compression.
I started juggling a long time ago, but long before that, I was a golfer, and that's what I was: a golfer. And as a golfer and as a kid, one of the things that really sort of seeped into my pores, that I sort of lived my whole life, is process. And it's the process of learning things.
The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.
Songwriting is a give-and-take process, and it can lead to some good, healthy debates.
What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh...Songwriting is best. It's the hardest-finest-tightest. It also requires the most discipline.
For to enter the palace of learning at the great gate requires an expense of time and forms, therefore men of much haste and little ceremony are content to get in by the back-door
For so long I focused on all that I had lost - my legs, my anonymity, even my freedom in a way. I couldn't jump in the car, blast some music and just get away for a bit. I couldn't play basketball with my brothers. I couldn't even get up in the middle of the night to go to the bathroom without making it some sort of production.
The artist's job, I think, is to be a conduit for mystery. To intuit it, and recognize that the story-germ has some inherent mystery in it, and sort of midwife that mystery into the story in such a way that it isn't damaged in the process, and may even get heightened or refined.
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