A Quote by Andrew Breitbart

The thematically related 'Boys Don't Cry' and 'Brokeback Mountain' reinforced the narrative that gays like Mr. Shepard are regularly isolated for cruel and unusual attacks.
These death sentences are cruel and unusual in the same way that being struck by lightning is cruel and unusual.
The gays like 'Project Runway' because it's a fashion, and the gays are into fashion and into design. It's a creative industry, and most of the gays are pretty creative, in general. That's just like the culture. We're not all into politics necessarily. We're more into the creative environment. I also think Heidi is a big draw. The boys love Heidi and think she's so fabulous. I just think it's a glitzy, fun show, and there are also always lots of gay boys on it, and, you know, that's fun.
Society's mores have changed, and what used to be thought not to be cruel and unusual now is thought to be cruel and unusual.
I felt like one of the boys. My friends were boys. In school I related to boys.
It's absolutely clear that whatever cruel and unusual punishments may - may mean with regard to future things, such as death by injection or the electric chair, it's clear that - that the death penalty, in and of itself, is not considered cruel and unusual punishment.
I think book adaptations, the best one to me is like 'Brokeback Mountain.' Which is a short story, 21 pages, that expands so beautifully into a movie.
I think one of the worst notes I think I've ever received was Ang Lee on 'Brokeback Mountain.' He came in on coverage, and he was like, 'More, more handsome.' I was like, 'I'll try that.'
Not boys don't cry' - boys should cry, and it makes you healthier and stronger for it.
I absolutely believed Jake Gyllenhaal and Heath Ledger loved each other in 'Brokeback Mountain.'
He pressed his face into the fabric and breathed in slowly through his mouth and nose, hoping for the faintest smoke and mountain sage and salty sweet stink of Jack but there was no real scent, only the memory of it, the imagined power of Brokeback Mountain of which nothing was left but what he held in his hands.
You'll never have any trouble with Mr. T, I'm just a big, calm teddy bear kind of guy. Mr. T ain't ashamed to cry. When I go out and I meet people who are suffering and they come and talk to me, Mr. T cries, Mr. T who could break a man's jaw with his fist.
There was one time I flagged every 'Brokeback Mountain' review on Netflix that was negative. I was, like, 'not helpful,' and I spent, like, an hour doing it, and I wrote a really serious review about it. It's hard for me not to get really sensitive. I don't brush things off like that very easily.
For myself, the only way I know how to make a book is to construct it like a collage: a bit of dialogue here, a scrap of narrative, an isolated description of a common object, an elaborate running metaphor which threads between the sequences and holds different narrative lines together.
Don't you know that boys don't cry?' Adam grinned. 'Shall I tell you something I've only recently discovered,' I replied, not attempting to hide the tears rolling down my face and not the least bit ashamed of them. 'Boys don't cry, but real men do.
I do think that narrative is very important - I think that we use narrative to organize the world around us, and so it does matter a lot what kinds of narratives we have in our inventories and which ones are reinforced so often and so strongly that we habitually reach for them without thinking.
'Brokeback Mountain' takes all your conceptions of America, and the Western, and cowboys, and sexuality, and love, and it stirs them all up.
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