A Quote by Andrew Kreisberg
I think one of the great strengths of 'The Flash' is just how close everyone is on the show. They tend not to have these raging conflicts, like what we keep giving everybody on 'Arrow.' That show is more of a soap opera, and I don't say that derogatorily.
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The show is escapism. If you look back to when I was in college, all the girls in the sorority houses were gathered around watching soap operas. That was the escapism, the show that was giving you something you couldn't have. Now, you go into any sorority house, there are 50 to 100 girls piled in watching The Bachelor. We are the modern-day soap opera.
I don't think you need to watch Arrow and Flash to appreciate what it is Legends has to offer. The beauty of this show - and they do this on Flash, and they did this on Arrow - is that we do spend time on character. We do spend time on backstory. We do take a moment in between the sci-fi special effects to tell you who these people are, so that when something happens to them, you actually care.
A show like Knots or any other show that can be called a soap opera does terribly in syndication because if you're a viewer and you miss a week you don't know what's going on.
Think 'Game of Thrones.' In the old days, this sort of show might be considered bad writing. It doesn't really seem to be moving toward a crisis or climax, it has no true protagonist, and it's structured less like a TV show or a movie than a soap opera.
You especially want to strive for that nuance on a show like 'The Flash,' which is different from 'Legends' in the sense that it's really, at its heart, a smaller show. It's a more intimate show, in a way.
Soaps taught me the fundamentals of the game. You know, how to show up, hit your mark, how to be on time. That soap opera world is a microcosm of the entertainment culture.
We didn't have reruns back then, so when the show ended we thought it was over. I'm overwhelmed by how long the show has been popular and by how many people still love it today. I still watch the reruns and just laugh! Here in Mount Airy they show the Andy Griffith Show at 3:30 in the afternoons and they call it "Andy After School", but the show wasn't just for kids, it was for everyone.
I'm catching up. I'm satisfied with the show. I think I want to get better and better and keep building. It took a while to figure out how to do it. I didn't know how it was gonna go. I was just like, "I better book a show and just see what happens."
All good dramas are rife with conflicts, and the conflicts have to be resolved. What I think is so great about a show that takes place in a hospital is that you have so many different people with different needs. Sometimes all those can be in conflict. The drama of Heartland also comes from the group of people waiting, and they are sometimes agonizingly waiting for a new organ for their body in order to survive. So the show is so much about survival, which creates a sense of urgency to get the organs. I think that sense of urgency is probably the most prominent dramatic quality to the show.
The thing that everybody loves about the 'Burnett Show' was that you felt like you were really there - all that fun stuff stayed in the show, and I think that's why everybody remembers it so fondly because that just doesn't happen anymore on television.
I stopped trying to show everybody I could play. I don't need to show anybody anything. Just go be myself, and if I do that, then I can really show how good of a player I can be.
Not that my life has been so crazy and exciting but, it just seems like if I can bring more of myself to the role. It's going to help keep it spontaneous and exciting, instead of thinking in terms of this box of a human that I have to slip myself into every week, which I tend to do more when I'm shooting a movie. On a television show, this is all kind of still new to me, doing many episodes of something, so I want to try to keep it as fresh and close to home as possible, so it doesn't get stale and I still like it every day.
The ROH guys looking at the New Japan guys coming over, we're just psyched. We think, "oh great this is just going to make our show even better." The respect level with New Japan and ROH is at an all-time high. And anytime we get a company like New Japan Pro Wrestling on a ROH show, it just benefits our show. It has everybody all jacked up, ready to do the best we can like we always do.
Politics in a democratic society should not be treated like a baseball game, a game show or a soap opera. The times are too serious for that.
I think the "trick" is you have to really want to do it. You're embracing more of the world. Which is great. We're all in the world together, you know? And the models in the show who are "plus size," they're not in a special place, they're not wearing differently styled outfits. They're just beautiful girls who are in the show, like normal. Everything's normal. That's how it should be!
I think at a certain point we a little bit forgot that it was a pot show. I think I said something to Harry [Elfont], around Episode 7 [of mary and Jane], I was like, "We have a pot show. Nobody is smoking any weed." There is literally a shot in the season finale where everybody lights up at the same time. I was like, "I feel like we are not honoring our concept." It just became a show. It became a show about these two girls doing this crazy thing and getting into all these adventures and it was really not about the weed.
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