A Quote by Andrew O'Hagan

It's not a crime not to know yourself. It's not a crime to send life away. It's just a shame. — © Andrew O'Hagan
It's not a crime not to know yourself. It's not a crime to send life away. It's just a shame.
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
I came to know that in many ways it was a crime to be Filipino in California .... I feel like a criminal running away from a crime I did not commit. And this crime is that I am a Filipino in America.
We don't have storm troopers that just knock on the door of every American citizen. We don't do that for any crime. But when we have evidence that a particular person has committed a crime, we send law enforcement to apprehend them.
We are not prepared to consider special category status for certain groups of people serving sentences for crime. Crime is crime is crime, it is not political
During the Great Depression, levels of crime actually dropped. During the 1920s, when life was free and easy, so was crime. During the 1930s, when the entire American economy fell into a government-owned alligator moat, crime was nearly non-existent. During the 1950s and 1960s, when the economy was excellent, crime rose again.
I grew up reading crime fiction mysteries, true crime - a lot of true crime - and it is traditionally a male dominated field from the outside, but from the inside what we know, those of us who read it, is that women buy the most crime fiction, they are by far the biggest readers of true crime, and there's a voracious appetite among women for these stories, and I know I feel it - since I was quite small I wanted to go to those dark places.
The causes of crime are very complicated. But there is a very big literature, as you know, about single parenthood in crime, about race in crime, and about poverty in crime.
I grew up in a very working-class area with a high crime rate and when I first started to break away from my social conditioning, I fell into a life of crime.
I know a lot of crime writers feel very underrated, like they're not taken seriously, and they want to be just thought of as writers rather than ghettoised as crime writers, but I love being thought of firmly as a crime writer.
Once I got interested in organized crime, and, specifically, Jewish organized crime, I got very interested in it. I have learned that, like my narrator Hannah, I'm a crime writer in my own peculiar way. Crime with a capital "C" is the subject that I'm stuck with - even Sway is about "crime" in a certain way. The nice thing about crime is that it enables you to deal with some big questioO
I've been in crime for a long time and I know that the actual move isn't the actual crime: the crime continues [afterwards].
Crime is naught but misdirected energy. So long as every institution of today, economic, political, social, and moral, conspires to misdirect human energy into wrong channels; so long as most people are out of place doing the things they hate to do, living a life they loathe to live, crime will be inevitable, and all the laws on the statutes can only increase, but never do away with, crime.
When it comes to inmates, we have boiled them down to just the few things we know about them - their crime, their current life situation, their identification number. But the reality is they were something before they were their crime.
When is conduct a crime, and when is a crime not a crime? When "Somebody Up There" - a monarch, a dictator, a Pope, a legislator - so decrees.
suicide is a crime - the only crime that, if successful, guarantees that the perpetrator will not be punished for it. This makes it the most serious crime of all.
Crime and bad lives are the measure of a State's failure, all crime in the end is the crime of the community.
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