A Quote by Andrew Sullivan

I was also reminded of one of the unique charms of NYC in the summer: vast piles of rotting garbage piled on the sidewalks, with that sweet yet nauseating smell of decomposing groceries sitting in the humid fetid air, and rancid food juices oozing over the sticky sidewalks. With my windows open to counter the stuffiness, I could occasionally catch a whiff of the stench outside. People actually like living in this chaotic, fetid monument to incompetence? Beats me.
Imagine some foul and putrid corpse that has lain rotting and decomposing in the grave, a jelly-like mass of liquid corruption. Imagine such a corpse a prey to flames, devoured by the fire of burning brimstone and giving off dense choking fumes of nauseous loathsome decomposition. And then imagine this sickening stench, multiplied a millionfold and a millionfold again from the millions upon millions of fetid carcasses massed together in the reeking darkness, a huge and rotting human fungus. Imagine all this, and you will have some idea of the horror of the stench of hell.
There is something about poverty that smells like death. Dead dreams dropping off the heart like leaves in a dry season and rotting around the feet; impulses smothered too long in the fetid air of underground caves. The soul lives in sickly air. People can be slaveships in shoes.
I strongly believe that if we would allow tent encampments on the sidewalks, people are going to die on the sidewalks, and we're better than that.
Please also remember the pitiful gasping/thirsty little mouths/ beaks in summer. They'll appreciate abundant/fresh/cool/clean/ water! Food they can get easily in parks/sidewalks!
When they first built the University of California at Irvine they just put the buildings in. They did not put any sidewalks, they just planted grass. The next year, they came back and put the sidewalks where the trails were in the grass. Perl is just that kind of language. It is not designed from first principles. Perl is those sidewalks in the grass.
You can hover in the air if you want, or you can push off of something and glide through the air - just like a fish. I also think it is like being a fish, since you can catch food in your mouth easily because it is suspended in the air - just like when you put fish food in a tank - the fish swim up to it, open their mouths, and eat the food.
In those sticky summer nights in South London our windows stay open and our tiny apartment becomes our secret garden. The magic of the secret garden is that it exists in our imagination. There are no limits, no borderlines. The secret garden leads to the marigolds of Mogadishu and the magnolias of Kingston and when the heat turns us sticky and sweet and unwilling to be claimed by defeat we own the night. We own our bodies. We own our lives.
Mike Mignola's 'Hellboy' comics have a drizzly, musty gothic ambience - the same fetid air that H. P. Lovecraft circulated in his fiction.
I travel in gardens and bedrooms, basements and attics, around corners, through doorways and windows, along sidewalks, over carpets, down drainpipes, in the sky, with friends, lovers, children and heros; perceived, remembered, imagined, distorted and clarified.
Because they do burn leaves here, the older folks do, and I remember now that I love it and always have. The way fall feels at night because of it, because of the crackling sound and walking around the sidewalks, like when you're a kid, and kicking those soft piles, and seeing smoke from backyards and Mr. Kilstrap standing over the metal drum with the holes in the top, the sparking embers at his feet.
Sitting on the floor, I'd replay the past in my head. Funny, that's all I did, day after day after day for half a year, and I never tired of it. What I'd been through seemed so vast, with so many facets. Vast, but real, very real, which was why the experience persisted in towering before me, like a monument lit up at night. And the thing was, it was a monument to me.
By all evidence we are in the world to do nothing; but instead of nonchalantly promenading our own corruption, we exude our sweat and grow winded upon the fetid air.
I am a dumb piece of meat and I rot everyday my flesh gives a rotting smell and people say it's the smell of life and they come to me and watch me rot and get happy and upset and annoyed and disgusted and maybe sometimes feel compassion but they don't realize they are rotting too.
Which other people in this world stop up holes in their sidewalks with cassava, brothers and sisters? Only Indonesia itself, on account of the abundance of its food.
The wind outside nested in each tree, prowled the sidewalks in invisible treads like unseen cats. Tom Skelton shivered. Anyone could see that the wind was a special wind this night, and the darkness took on a special feel because it was All Hallows' Eve. Everything seemed cut from soft black velvet or gold or orange velvet. Smoke panted up out of a thousand chimneys like the plumes of funeral parades. From kitchen windows drifted two pumpkin smells: gourds being cut, pies being baked.
The people who flood our living-rooms with a smorgasbord of commercial messages about fetid breath, moist underarms and troubled intestines know this: an appropriate time, place and manner to sell a product is any that sells the product.
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