A Quote by Andrew Wyeth
I search for the realness, the real feeling of a subject, all the texture around it... I always want to see the third dimension of something... I want to come alive with the object.
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We are ruined, not by what we really want, but by what we think we do; therefore never go abroad in search of your wants; if they be real wants, they will come home in search of you; for he that buys what he does not want, will soon want what he cannot buy.
This is what meditation is all about, just becoming a watcher. Failure comes, success comes, you are praised, you are condemned, you are respected, you are insulted - all kinds of things come, they are all dualities. And you go on watching. Watching the duality, a third force arises in you; a third dimension arises in you. The duality means two dimensions: one dimension is happiness; another is unhappiness. Watching both, a depth arises in you: the third dimension, witnessing, sakshin.
I always feel like if someone has stage fright, I really try and say, "Listen, these people want you to succeed, they want to have a good evening. They want to see something really great. They don't want to see something crappy. They don't. They want to be at something really special."
But I want to feel like life matters. I had something real with you, but then the realness scared me. I decided to go for other things instead.
I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.
What I want to see is more mixed casts. We need it. People need to be brave - in the real world, everyone and anyone is around. So if people get to see themselves on the stage, they'll want to come.
If you know what you want, you use Google. But if you don't know what you want, and you want to be surprised and find something you didn't expect, we want you come to StumbleUpon. Really, that idea of being a discovery engine versus a search engine.
I imagined that if the surface of the package imitated the colour and texture of the fruit skin, then the object would reproduce the feeling of the real skin.
Moments are so fleeting; I want to hold on to the good ones. When I am truly present, I feel alive, and I want everyone around me to share that feeling so we can make the most of that moment together.
I want to do something where the script is there. That doesn't mean that I won't need to come in, or be asked to come in, and help develop something. Things can always get better. There's always room for improvement. But, I want to do something that's the best version of whatever it's supposed to be.
What naturally you want to do if you were a prominent person in the public light and you are disgraced, you want to make a comeback, and normally that begins with somebody saying, “I want to do something to help people. I want to do something to help the lepers in the Third World. I want to do something to help abandoned wives in India.”
What naturally you want to do if you were a prominent person in the public light and you are disgraced, you want to make a comeback, and normally that begins with somebody saying, 'I want to do something to help people. I want to do something to help the lepers in the Third World. I want to do something to help abandoned wives in India.'
Making clothing is not just about the application of style and technique. At some stage, you want to experiment with new materials, or experiment in making materials. When you have a material to yourself, you get to make something totally new based on how that material acts. The access afforded by this tannery pushes you beyond your comfort or knowledge zone of hue and texture, forcing you - the designer - to think about how that flat plane will act when it enters the third dimension.
I look around and I know there's a lot in the world that I want to see changed - and I want to be a part of something bigger than myself. I want to see things change, in myself as much as in the world around me.
People want to see real skill level, real Jiu Jitsu, real boxing, put together and mixed up. They want to see mixed martial arts. They don't want to see five minutes of holding. I think there should be points deducted when you do that.
I think people really want to see the real because the world is portrayed at such a low level that if you come out with a real wholesome show, people don't want to see that anymore.
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