A Quote by Andrew Haigh

I always quite like the idea of casting against type when I'm looking for and trying to understand who a character is. — © Andrew Haigh
I always quite like the idea of casting against type when I'm looking for and trying to understand who a character is.
It's something that has informed quite a lot of my comedy - that idea of someone who is always trying to get in there with the right crowd, always trying to be a certain type of person and never managing it.
In terms of whether my mom was influential, I think she instilled a certain way of thinking in me quite early: having a reflective mindset regarding my actions and trying to find the underlying reasons to behavior. I think that's quite helpful when you're trying to understand a character.
I really am a guy who can be black and white. I don't understand, too much, the gray. And truly I can go from one type of character to another type of character.
Personally, I've always had to face casting directors or producers saying, 'You're right for the part, but nahh, you're not quite what we're looking for.'
A woman can be demure, lady-like and the most prim and proper character, and still have a toughness and resiliency as apparent as a superhero-type female character or a warrior or soldier type. It's all about the story, the character, and the course of events in that piece of work and how that character is presented.
I would love to do parts I have never done before, but unfortunately, if you have had success in a particular type of character, the casting agents think, 'Oh! We'll have something exactly like that.' It's very boring.
I'm trying to find answers. It can be quite frustrating, but at the same time, I'm never quite satisfied with what I'm doing, so I'm always looking for the next thing.
There are always discussions about casting stars in lead roles in theater - especially when you're working with commercial producers - and it's not something I'm against, not at all. But any casting has to be right for the project.
It's always a good idea to go up for the male roles. You go up against a bunch of beefy guys, and the casting director then feels smart for taking you on, like he's the one who thought outside the box.
I've played a different type of character in a different type of thing, for the most part. It's not like you can't mine tons of fascinating stuff from any character that you play, and I've always been fascinated with women and relationships, but this has been a completely different experience, for sure.
I think as an away team, if you like that type of atmosphere where everybody's against you, you know it's going to be just you and your guys there for three hours trying to get a win. When you can get a win in that environment, I think it builds great character.
The most exciting part of the casting process was casting out of Israel, which was a really unique process, mainly done remotely from California, looking at casting tapes.
I'm quite excited to not play a Xena type character - it's probably closer to me than any character I've ever played.
I'm always going to be a student. I'm always learning. I'm always trying to grow. I'm always trying to understand. I never want to feel like I've arrived.
Every single painting is different. I'm always trying to figure out what I'm interested in. Usually when I go through and I make the collages or the images for ideas that I want to paint, it's like an Ouija board. Each painting I do is trying to understand what the hell I'm looking at, or want to look at.
I've always liked the downtrodden character on different shows. Before 'Parks,' I loved the Toby character on 'The Office.' I do like playing that type of thing.
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