A Quote by Ann Widdecombe

Not even the severest critics of Jeffrey Archer can deny his style. — © Ann Widdecombe
Not even the severest critics of Jeffrey Archer can deny his style.
My favourite authors are John Grisham and Jeffrey Archer. Grisham rapidly established himself and now completely owns the legal space of fiction writing, something I want to do in financial space. I like Archer because he keeps his readers engaged: every chapter is a page turner, and he keeps his writing simple.
It is easy to club people together, but there are bound to be influences of authors you've read. I grew up reading fast paced authors such as Sidney Sheldon and Jeffrey Archer, but to say I'm one of them isn't true; my style is intrinsically my own.
I have twice met Jeffrey Archer, and on both occasions was struck by the firmness of his handshake - and the way he looked me straight in the eye, too.
My favourite authors are Jeffrey Archer, for his story telling skills; John Grisham, for the completely new genre he created; and James Patterson, for the way he created a new business model out of writing.
I like reading a lot. Jeffrey Archer and Robert Ludlum are my favourite authors. I love making realistic cinema, so I read non-fiction more.
The last time I was in Spain I got through six Jeffrey Archer novels. I must remember to take enough toilet paper next time.
I'm told I am over-choosy, and I shocked everybody by doing Jeffrey Archer. I did that to annoy everybody; sometimes, between Medea and Virginia Woolf, you can get punch-drunk.
Those who do the least themselves are always the severest critics upon the noble achievements of others.
The severest critics are always those who have either never attempted, or who have failed in original composition.
One of the bigger things, I think, was learning and trying to find out who Vance Archer was, and who Vance Archer is, and who Vance Archer would end up being.
It's probably hard for anyone looking at my landscapes today to realize that I was once regarded as a rebel, a dangerous influence; that I've been told I was on the verge of insanity, that my painting was nothing but meaningless daubs. Lawren Harris, the man most responsible for drawing the Group of Seven together, was accused of something perilously close to treason - his paintings, said his severest critics, were discouraging immigration.
Virgil and Horace [were] the severest writers of the severest age.
The bestseller charts, a sure indicator of public taste, tell us with relentless frequency that Marian Keyes or Jeffrey Archer is a better author, by some dizzying six-figure sum, both in numbers of copies and money, than, say, J. M. Coetzee or Patrick White. Are they right?
Master storytellers like Jeffrey Archer and Arthur Hailey use simple language. But they manage to grab the attention of the readers right from page one. I'll consider myself a good storyteller the day people believe it's OK to be late for work or postpone deadlines just to finish reading my book.
The real road, to me, was within the actor, within myself, within my own personality. How much Jeffrey can I find, and how much of Jeffrey could I access? What parts of Jeffrey have I never used for Hank or for George or Oscar? - and that was a delight.
A couple of years ago my friend and business partner Jeffrey Richards was doing the Gore Vidal play, The Best Man, starring James Earl Jones. I asked Jeffrey out to lunch and asked him what he thought of James playing Grandpa in You Can't Take It With You. Jeffrey thought it was a fabulous idea and so did James.
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