A Quote by Anne Dudley
We all shared an admiration of Debussy both as a musician and as sort of an icon for the 20th century. It seemed like an interesting idea to go right back 100 years to find the source of some new ideas now.
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I was really interested in 20th century communalism and alternative communities, the boom of communes in the 60s and 70s. That led me back to the 19th century. I was shocked to find what I would describe as far more utopian ideas in the 19th century than in the 20th century. Not only were the ideas so extreme, but surprising people were adopting them.
For Debussy the musician and the man I have had profound admiration, but by nature I'm different from him. I think I have always personally followed a direction opposed to that of the symbolism of Debussy.
There's a sort of eternal, indefinable 20th century quality to 'BTAS.' We never really pegged the decade, but it's anytime in the 20th century, so I often harkened back to things from the '40s or '50s.
When you really do find a new idea or you're in and it's all working, that's the gift. It's like a musician when they hit a riff, that's when you're like all right, it's mellow. You back off and just ride it.
There's this Indian fellow who worked out a cycle like the idea of stone-age, bronze-age, only he did it on an Indian one. The cycle goes from nothing until now and 20th century and then on and right around the cycle until the people are really grooving and then just sinks back into ignorance until it gets back into the beginning again. So the 20th century is a fraction of that cycle, and how many of those cycles has it done yet? It's done as many as you think and all these times it's been through exactly the same things, and it'll be this again.
For me, Debussy is the door to all 20th-century music.
So many new things have been discovered in the 20th century that now, at the end of the century, we need some kind of synthesis, some musical language which will allow us just to write music.
Most cities are eclectic. There's a bit of medieval, Georgian, some Victorian and some 20th century. That's fine. Bath is different because it was built within 100 years or less. It has a homogeneity.
We have seen things in the twentieth century like the ATM machine, the VCR, and even the car. The electric car was invented in 1920, and here we, 100 years later, it is only now becoming an actual thing. So it doesn't surprise me that new ideas are met with a lot of questions.
I don't need to feel 100% safe, but I have to feel like there's room for me to go a little bit insane if I'm going to have good ideas. Because a good idea is a new idea and if you start going around like, "I have this new idea!" most people are gonna be like, "I've never heard that before, that sounds fishy."
I am convinced that 100 years from now, people will talk about Elliott Carter as one of the most important figures in the second half of 20th-century music.
One of the things I'm real proud of is I just made a deal with 20th Century Fox, and I've got my own production company now. I'm developing some television and movies for other people because I have a lot of fresh new ideas. To write is what I love the most.
... the sciences are like a beautiful river, of which the course is easy to follow, when it has acquired a certain regularity; but if one wants to go back to the source, one will find it nowhere, because it is everywhere; it is spread so much [as to be] over all the surface of the earth; it is the same if one wants to go back to the origin of the sciences, one will find only obscurity, vague ideas, vicious circles; and one loses oneself in the primitive ideas.
I abhor Earth Hour. Abundant, cheap electricity has been the greatest source of human liberation in the 20th century. Every material social advance in the 20th century depended on the proliferation of inexpensive and reliable electricity.
You couldn't changed history. But you could get it right to start with. Do something differently the FIRST time around. This whole business with seeking Slytherin's secrets... seemed an awful lot like the sort of thing where, years later, you would look back and say, 'And THAT was where it all started to go wrong.' And he would wish desperately for the ability to fall back through time and make a different choice. Wish granted. Now what?
The mighty edifice of Government science dominated the scene in the middle of the 20th century as a Gothic cathedral dominated a 13th century landscape. The work of many hands over many years, it universally inspired admiration, wonder and fear.
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