A Quote by Anne Lamott

Because this business of becoming conscious, of being a writer, is ultimately about asking yourself, How alive am I willing to be? — © Anne Lamott
Because this business of becoming conscious, of being a writer, is ultimately about asking yourself, How alive am I willing to be?
It's about how you handle yourself, how you take care of your business, how you present yourself in front of the team, how you hold other people accountable. And ultimately, performing.
Becoming a writer is about becoming conscious. When you're conscious and writing from a place of insight and simplicity and real caring about the truth, you have the ability to throw the lights on for your reader. He or she will recognize his or her life and truth in what you say, in the pictures you have painted, and this decreases the terrible sense of isolation that we have all had too much of.
Becoming a writer is about becoming conscious.
it is my conviction that the personality of the writer has nothing to do with the literate product of his mind. And publicity in this case embarrasses me because I am acutely conscious of how far short the book falls of the artistry I am struggling to achieve. It's like being caught half-dressed.
Being a writer is a very private, internal process. Ultimately I am more the writer, being an introvert.
If you find yourself imitating another writer, that doesn't have to be a bad thing, especially if you are a young or a new writer. However, you should be conscious of exactly how you are imitating him - word choice, sentence structure, motifs? - and think about why you're doing it.
My advice to young people in the wrestling business would be to repeat such questions to yourself as: "How am I standing out? How am I getting recognized? How am I getting over?" And if you don't have definitive answers for doing those things, you are doing it wrong. It is, essentially, on them. There is no right way to do it, and that's one of the great things about this business because you can be creative. People who say they have it figured out are wrong.
We talked about how easy it was to make the mistake of anthropomorphizing animals, and projecting our own feelings and perceptions on to them, where they were inappropriate and didn't fit. We simply had no idea what it was like being an extremely large lizard, and neither for that matter did the lizard, because it was not self-conscious about being an extremely large lizard, it just got on with the business of being one. To react with revulsion to its behavior was to make the mistake of applying criteria that are only appropriate to the business of being human.
If you find yourself asking yourself (and your friends), "Am I really a writer? Am I really an artist?" chances are you are. The counterfeit innovator is wildly self-confident. The real one is scared to death.
Being a conservative can never be about simply an attitude. Being a conservative cannot simply be about how long you're willing to scream, how angry you're willing to be or how many names you're willing to call people. That is not conservative.
Dharma is not about credentials. It's not about how many practices you've done, or how peaceful you can make your mind. It's not about being in a community where you feel safe or enjoying the cachet of being a 'Buddhist.' It's not even about accumulating teachings, empowerments, or 'spiritual accomplishments.' It's about how naked you're willing to be with your own life, and how much you're willing to let go of your masks and your armor and live as a completely exposed, undefended, and open human person.
When you're young, you don't especially think of yourself as being young. You're just alive and everything's interesting and you don't think of things in terms of age because you're not conscious of it.
I'm not afraid to take questions about where I come from, where I've traveled, or how I've conducted business, because being honest about who I am is worth it.
I do find that people are incredibly naive about what it is to be a writer. Like you would pay an incredible amount of money for an MFA program and still not have the slightest idea of how one goes about becoming a writer. So, I'm always flabbergasted when people say, "Oh, I was invited to do a reading, but I'm not going to read because I don't have a book.".
When you make a film it is like asking yourself a question. When it is finished, you know the answer. Ultimately with all of cinema, we are just trying to learn about ourselves. I have always used the opportunity to make a film to learn more about myself, which I am still doing.
I ended up becoming so self-conscious that my songs stopped being about my life and started being about what people thought of my music. And that was really bad.
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