A Quote by Anne Lamott

Almost all good writing begins with terrible first efforts. You need to start somewhere. — © Anne Lamott
Almost all good writing begins with terrible first efforts. You need to start somewhere.
Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something—anything—down on paper. What I’ve learned to do when I sit down to work on a shitty first draft is to quiet the voices in my head.
Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something-anything-down on paper. A friend of mine says that the first draft is the down draft-you just get it down. The second draft is the up draft-you fix it up. You try to say what you have to say more accurately. And the third draft is the dental draft, where you check every tooth, to see if it's loose or cramped or decayed, or even, God help us, healthy.
You have to keep writing. It's almost like practice, almost like tennis, that actually after a few days of not writing, first of all it makes you slightly depressed and uneasy, but it also affects the style when you start up again. You need to get the show on the road.
I Need a Good Book I need a good story. I need a good book. The kind that explodes Off the shelf. I need some good writing, Alive and exciting, To contemplate all by myself. I need a good novel, I need a good read. I probably need Two or three. I need a good tale Of love and betrayal Or perhaps an adventure at sea. I need a good saga. I need a good yarn. A momentous and mightily Or slight one. But with thousands and thousands And thousands of books, I need someone to tell me The right one. -John Lithgow
You can make bad writing 'OK,' but... you really need to start with a good script and with characters that are three-dimensional and with great dialogue. It's a difficult lesson to learn because good writing is hard to come by, but it's definitely worth chasing.
As an actor, especially one who's worked in casting, you read so many scripts, and some of them are terrible. They're terrible and they're getting made, and some of them are good but the female role is just painful or underwritten. So after years of that, I had this idea kicking around in my head for two years, and I thought, I'm just going to start writing.
I would tell high school Shane to just start writing down everything that was happening. It was so hard to think back to all those terrible moments. They all started clustering together into one big terrible moment.
Each time you take a good picture, you have the wonderful feeling of exhilaration... and almost instantly, the flip side. You have this terrible, terrible anxiety that you've just taken your last good picture.
I always tell my writing students that every good piece of writing begins with both a mystery and a love story. And that every single sentence must be a poem. And that economy is the key to all good writing. And that every character has to have a secret.
I didn't pretend that I was good at writing music, so I wrote terrible music, intentionally. As time went on, the terrible subsided, and I started getting good.
I was writing short films and I was going through this really, really, really terrible end of a relationship that I didn't want to be going through. It was too much for me to process and all of a sudden I had this idea for my first feature film and I knew right away I had to start writing it.
Always care for the writing part first. Every good film project starts with good writing. If you have a good script, everything else follows. Writing is crucial.
You don't start out writing good stuff. You start out writing crap and thinking it's good stuff, and then gradually you get better at it. That's why I say one of the most valuable traits is persistence.
I like to tell students, 'I didn't burst on to the literary scene.' I'm never good at things at the beginning. I was terrible at the start. I need to work and work.
Most of my work is done before we start shooting, preparation work, so my normal day begins when I start writing, it might even be the night before.
Sometimes I'll have a scene that strikes me, I just feel like writing a scene, a mini-story that seems like it might lead somewhere. But that is such a tentative, fishing-hook way to go about it that these days I've found it's easier to kind of at least have your concept and start attaching things to a skeleton. So I try to find the armature, the kind of backbone of it first that you can start to hang those scenes on.
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