A Quote by Ann Leckie

When I'm writing, I don't really have much other guide than, 'As a reader, how would I respond to this?' — © Ann Leckie
When I'm writing, I don't really have much other guide than, 'As a reader, how would I respond to this?'
I am interested in writing how women really feel, how they really think, and how they respond to men. I don't want men reading my books because they might find out too much.
There is all this stuff about how sensitive poets are and how in touch with feelings, etc. they are, but really all we care about is language. At least in the initial stages of the process of writing the poem, though later other things start to come in, and a really good poem usually needs something more than just an interest in the material of language to mean anything to a reader.
I decided to practice alone because it was a challenge for me to see how much I love tennis. And making sure I was not trying just to respond to other people's expectations and that I really wanted it myself. I realized that I just loved tennis, that it was something extraordinary, that I would really want to do that.
The success of the poem is determined not by how much the poet felt in writing it, but by how much the reader feels in reading it.
Saul Bellow once said, 'A writer is a reader who has moved to emulation' — which I think is true. I just started writing and made that jump from reader to writer and learned how hard it was, but also how much fun it was — losing myself in these imaginary worlds.
I feel really strongly about not wanting to overly guide the reader about what he or she should think. I really trust the reader to know for themselves and not to need too much. You have your own imagination, your own experiences, your own feelings, and a novel wants ultimately to ask questions. It doesn't assert anything, or shouldn't, I think.
Years passed and I hadn't really done much writing. Other than the fact that I'm constantly developing new shows, writing up proposals and stuff.
Americans rightly asked, if this is the way our government responds to a natural disaster it knew about days in advance, how would it respond to a surprise terrorist attack? How would it respond to an earthquake?
I enjoy the opportunity to use swear symbols. The reader reads into them something worse than what you normally would have. They work as this outburst of incoherent anger. I've found ways to write around swearing that are much more effective, rather than going for what someone really would say.
Really good writing, from my perspective, runs a lot like a visual on the screen. You need to create that kind of detail and have credibility with the reader, so the reader knows that you were really there, that you really experienced it, that you know the details. That comes out of seeing.
I think if I have one message, one thing before I die that most of the world would know, it would be that the event does not determine how to respond to the event. That is a purely personal matter. The way in which we respond will direct and influence the event more than the event itself.
More than this, I believe that the only lastingly important form of writing is writing for children. It is writing that is carried in the reader's heart for a lifetime; it is writing that speaks to the future.
I can control how hard I play. This is how I respond to coaching. This is how I respond to my teammates. If I focus on that, the other things that come with that are going to come.
I love writing with other artists, I really do. Because you can try to guess what they would want to say and how they would sing it.
I think a play can do almost anything, because it's also a static form, much more so than in a movie. In a movie you can move the scenery, you can do anything any way. A cartoon, happens in a limited amount of space and a limited amount of time, and you can only get so many words before the reader's gonna get impatient. All of these forms that I enjoy are in a sense a slight of hand, where you have to suggest much more than you really show. You have to, in a sense, seduce the reader and trick the reader or the audience into going with you.
Painting is just a hobby. I really don't think of it much more than that. But writing music and writing words... my life would feel as if it had a big hole if I took those away.
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