A Quote by Anne Rice

Re-telling the Christian story is the essence of my vocation. That has been going on since the Evangelists in one form or another. — © Anne Rice
Re-telling the Christian story is the essence of my vocation. That has been going on since the Evangelists in one form or another.
The idea of Marilyn Manson has been brewing in my head, one form or another, since I was about 12 years old at a Christian high school in Canton, Ohio.
I'm not sure I can name a kind of story that wouldn't work in comics form. It's words and images, and we've been telling all kinds of stories with that combination since theatre was invented thousands of years ago.
The characters are telling you the story. I'm not telling you the story, they're going to do it. If I do it right, you will get the whole story.
When I was in my late twenties, a friend suggested that, since I was an avid SF reader and had been since I was barely a teenager, that since it didn't look like the poetry was going where I wanted, I might try writing a science fiction story. I did, and the first story I ever wrote was 'The Great American Economy.'
The task is not primarily to have a story, but to penetrate the story, to discard the elements of it that are merely shell, or husk, that give apparent form to the story, but actually obscure the essence. In other words, the problem is to transcend the givens of a narrative.
I am a little wary of entering another situation where I would just be another director for hire and I've been doing this in one form or another since I was twenty-two doing documentaries for PBS and HBO.
In a Christian Theocracy, you'll never be Christian enough. There's always going to be somebody there with another version of Christianity that is more Christian than you and you're going to lose the freedom to make the choice because you didn't defend the Separation of Church and State when you had the chance.
Your body is free but your heart is in prison. To release your heart, you simply reverse the process which locked it up. First you begin to listen for messages from your heart-messages you may have been ignoring since childhood. Next you must take the daring, risky step of expressing your heart in the outside world. . . . As you learn to live by heart, every choice you make will become another way of telling your story. . . . It is the way you were meant to exist. If you stop to listen, you'll realize that your heart has been telling you so all along.
I've been writing stories, in one form or another, since I was a kid.
When you hide another story in a story, that’s the story I am telling the children.
A Christian telling an atheist they're going to hell is as scary as a child telling an adult they're not getting any presents from Santa.
A Christian way of thinking is not just thinking Christian thoughts, singing Christian songs, reading Christian books, going to Christian schools; it is learning to think about the whole spectrum of life from the perspective of a mind that has been trained in truth.
Since each story presents its own technical problems, obviously one can't generalize about them on a two-times-two-equals-four basis. Finding the right form for your story is simply to realize the most natural way of telling the story. The test of whether or not a writer has defined the natural shape of his story is just this: After reading it, can you imagine it differently, or does it silence your imagination and seem to you absolute and final? As an orange is final. As an orange is something nature has made just right.
Anti-intellectualism ... has been present in some form and degree in most societies; in one it takes the form of the administering of hemlock, in another of town-and-gown riots, in another of censorship and regimentation, in still another of Congressional investigations.
When you understand, that what you're telling is just a story. It isn't happening anymore. When you realize the story you're telling is just words, when you can just crumble up and throw your past in the trashcan, then we'll figure out who you're going to be.
When I was a kid, I was always going to bed creating a story, and that was the birth of filmmaking for me. I would like going to the dream-state by telling the story to someone else in my mind. That was my imaginary friend; it was an imaginary audience listening to my story.
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