A Quote by Anne Fadiman

When I write after dark", observed Cyril Connolly, "the shades of evening scatter their purple through my prose — © Anne Fadiman
When I write after dark", observed Cyril Connolly, "the shades of evening scatter their purple through my prose
When I write after dark the shades of evening scatter their purple through my prose.
He domesticated and developed the native wild flowers. He had one hill-side solidly clad with that low-growing purple verbena which mats over the hills of New Mexico. It was like a great violet velvet mantle thrown down in the sun; all the shades that the dyers and weavers of Italy and France strove for through centuries, the violet that is full of rose colour and is yet not lavender; the blue that becomes almost pink and then retreats again into sea-dark purple—the true Episcopal colour and countless variations of it.
Someone — Cyril Connolly? Ezra Pound? — once said that anything that can be read twice is literature; I would say that anything that bears saying twice is quotable.
For a while I used to listen to those whispers about babies costing you books, and Cyril Connolly's loathsome quote that "There is no more somber enemy of good art than the pram in the hall." But it's rubbish. Absolute rubbish. A huge amount of your work is done when you're not at your desk. Knotty problems that you need your unconscious to solve. So it can be helpful to walk away and focus on other things and it can be helpful to be a bit harassed in your daily life, to be hungry for time to write.
The Lilac Rose Collection isn't just about purple. It features dusty pinks and heather grays, which are more natural shades of purple and are perfect for creating a feminine smoky eye.
There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.
I am not going to write 'Fifty Shades of Royal Purple.' Well I could, but I would be put in a beautifully decorated - that having been my profession before - room in the Tower.
During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was - but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit.
Wonder what it’s like to have a peaceful life,” Ron sighed, as evening after evening they struggled through all the extra homework they were getting.
Nothing is more satisfying than to write a good sentence. It is no fun to write lumpishly, dully, in prose the reader must plod through like wet sand. But it is a pleasure to achieve, if one can, a clear running prose that is simple yet full of surprises. This does not just happen. It requires skill, hard work, a good ear, and continued practice.
I like to write with a lot of emotion and a lot of power. Sometimes I overdo it; sometimes my prose is a little bit too purple, and I know that.
You don't have to be as good a writer to write a song; it's a very different process to writing straight prose. To learn how to write prose takes a lot of years of practice.
I went through this phase where I thought pink and purple matched. To dance class, I'd wear purple tights and pink leg warmers and paint my shoes purple. It was really odd.
I don't write out of fear. I write out of a strong urge to meet death on its own eternal terms, because the fact is that if you write as little as a page of prose-even bad prose-that is eternal.
It has been so written, for the most part, that the times it describes are with remarkable propriety called dark ages. They are dark, as one has observed, because we are so in the dark about them.
There's always light after the dark. You have to go through that dark place to get to it, but it's there, waiting for you. It's like riding on a train through a dark tunnel. If you get so scared you jump off in the middle of the ride, then you're there, in the tunnel, stuck in the dark. You have to ride the train all the way to the end of the ride.
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