A Quote by Anne Fletcher

There are so many female directors coming into the industry and a lot of them have important stories they want to tell that seem to fall a little bit more on the indie level. — © Anne Fletcher
There are so many female directors coming into the industry and a lot of them have important stories they want to tell that seem to fall a little bit more on the indie level.
There are a lot of female directors in Lebanon but we can't really talk about a true film industry, it's still very small. But we do have a few female directors.
As a female filmmaker it's important to have a voice for and about women. We have a lot of valuable stories to tell and young girls need to hear them.
I guess it's a personal preference. Me, personally, I like to be able to tell the stories that I want to tell and do the things that I want to do. It takes a little bit more work, but that's what the production side is.
A lot of times, films tell stories about the time we live in. So when making history, it´s just as important to give the female perspective as well as the male. We need female voices. Take a risk. Be personal.
I'm intrigued more and more by complex female characters because I'm more in touch with myself. I realize how screwed up or complex I am. And I'm flattered that, little by little, more and more directors want to meet me.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
I guess I'm not jaded because I still believe that there are good films out there, and there are great directors, and there are great writers. It just takes a little bit more perseverance and a little bit more time to find [them].
When I was in college, my graduation thesis was called 'Female Directors.' I interviewed all of the important female directors from Mexico. There were four. That was it.
Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.
If you want your children to be smart, tell them stories. If you want them to be really smart, tell them more stories. If you want your children to be brilliant, tell them even more stories.
What does it matter, if we tell the same old stories? ...Stories tell us who we are. What we’re capable of. When we go out looking for stories we are, I think, in many ways going in search of ourselves, trying to find understanding of our lives, and the people around us. Stories, and language tell us what’s important.
I don't really consider myself a female director, and I don't want to do so for other women. Female directors are just directors.
I want to support other women because of the opportunities I've had - and I've had a lot of opportunities. What I try as a female director is to do the best job I can and, in the meantime, bring attention to as many other female directors and writers as I can.
What I usually do is tell funny stories from the road, many of which are, of course, unprintable. But I don't actually have a joke. I don't tell jokes much. I tell little stories.
They're always such alive females. And also, all those love stories - no man in Austen has ever fallen in love with a female heroine because she's pretty or beautiful or has long, blonde hair. They fall in love with them because of who they are, because of their vibrancy and their intelligence and if only we were teaching that a bit more in schools.
It's all too easy when talking about female gymnasts to fall into the trap of infantilizing them, spending more time worrying more about female vulnerability than we do celebrating female strength.
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