A Quote by Anne Hathaway
I’ve been enjoying a couple of post-Oscar burgers. So I didn’t fit into a lot of the vintage stuff. I wanted to wear something that was a little bit more forgiving.
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It is tricky because I do wear a lot of vintage on the red carpet, and usually when I'm getting ready, I'll say, 'We need to make sure that I don't look like I'm in a Scorsese film today.' Sometimes I do something a little bit more modern with my hair. You have to mix it up.
I do take a computer to do some processing live and I might use a couple of plug-in synthesisers, 'cause obviously you can take quite a lot of power in terms of sound generation on a computer that I can trigger from a couple of keyboards. And it means I don't have to take some of my vintage stuff and have it trashed by various airlines which has happened in the past. But I still take some vintage stuff with me, I'll take that risk because I like using all that stuff.
I like to mix it up with vintage '70s stuff and I like to wear a lot of guys' clothes. As far as night stuff, I have my stylist direct me in the right way. We have a vintage glamour, age-appropriate, pretty thing going.
I wore the Marc Jacobs dress, so I love Marc Jacobs. He has a vintage flair. But I've always worn a lot of vintage stuff, so it hasn't been a lot of designers. If I see something that I like, I just buy it.
I like vintage stuff. I go through a vintage store and find things that I feel like I fit right into them because of all the years that they've been used.
As a designer, I'm supposed to be provoking people's reactions, and getting people to see things differently. I think more of us should be doing this. Because yeah, maybe guys are not gonna want to wear my stuff, but they'll think that they can maybe wear something a little bit more than what they've been wearing. That's the only way things move forward.
I'm really into vintage clothes. So I've been... vintage shopping and kind of adding and reconstructing things and just doing a little bit of designing.
There's been Hollywood interest in a lot of the stuff that I've done, but Descender's felt different right from the start for whatever reason. I don't know if that's because a lot of my other stuff's a little more idiosyncratic, and 'Descender' has a bit more of a high concept to it.
I love the idea that you would wear vintage stuff with new stuff and wear stuff that's 5 years old.
I wear a lot of vintage, thrifted stuff.
For my own style, I love vintage. 60's and 70's are my favorite. I love baby doll dresses and the soft colors. I try to mix a little bit of modern into that - maybe I'll wear it with boots. At my school we wear a uniform, but we have one day a week we can wear whatever we want.
A lot of my girlfriends like baggy oversized stuff and put on menswear already. And I also wanted something that my boyfriends - my gay and straight buddies - could wear. I wanted something for everyone.
I'm tall with broad shoulders, and therefore, I like clothes with a bit of a swagger - mannish clothes that you can wear with a lot of feminine, sweet tops. I put my own looks together - a favourite coat, a bit of vintage, a bit of high street.
There were a couple of times that we did end up moving the set [of Helix] outside to shoot some of the outside scenes, just because we needed a bit more space, and that ended up being a little bit more helpful and easier to breathe, when you're dealing with some of the fake snow stuff. It was a lot of fun, and it looks amazing.
I came here from Romania when I was 12 years old. I had an accent. High school was tough a little bit for a few years. I wanted to fit in. I wanted to be liked. I wanted to be good-looking. I wanted to be popular. I spent a lot of time thinking, 'What are these people going to think of me?'
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
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