A Quote by Annie Dillard

The morning woods were utterly new. A strong yellow light pooled beneath the trees; my shadow appeared and vanished on the path, since a third of the trees I walked under were still bare, a third spread a luminous haze wherever they grew, and another third blocked the sun with new, whole leaves. The snakes were out - I saw a bright, smashed one on the path - and the butterflies were vaulting and furling about; the phlox was at its peak, and even the evergreens looked greener, newly created and washed.
The leaves streamed down, trembling in the sun. They were not green, only a few, scattered through the torrent, stood out in single drops of green so bright and pure that it hurt the eyes; the rest were not a color, but a light, the substance of fire on metal, living sparks without edges. And it looked as if the forest were a spread of light boiling slowly to produce this color, the green rising in small bubbles, the condensed essence of spring. The trees met, blending over the road and the spots of sun on the ground moved with the shifting of the branches, like a conscious caress.
What man of sense will agree with the statement that the first, second and third days, in which the evening and morning were named, were without sun, moon and stars? What man is found such an idiot as to suppose that God planted trees in Paradise, in Eden, Like a Husbandman?
He lowered the window, and looked out at the rising sun. There was a ridge of ploughed land, with a plough upon it where it had been left last night when the horses were unyoked; beyond, a quiet coppice-wood, in which many leaves of burning red and golden yellow still remained upon the trees. Though the earth was cold and wet, the sky was clear, and the sun rose bright, placid, and beautiful.
We were in the shadow of the mountains, the light was cool and quiet and no wind was stirring. The aspen trunks were slightly greenish and the leaves were a vibrant yellow.
I looked long and hard at third films in series to see if there were any good ones that I could learn from. And there weren't any that hadn't just gone off the train tracks by their third film. Until, that is, I got to the third 'Lord of the Rings' film.
The first angel sounded his trumpet, and there came hail and fire mixed with blood, and it was hurled down upon the earth. A third of the earth was burned up, a third of the trees were burned up, and all the green grass was burned up.
The Voice did not consider itself a conventional magazine. It took me awhile to realize that it was named The Voice for a reason. They wanted voices. At the time, good magazine stories were still believed to be written in the third person based on the false belief they were more objective. Of course some conventional stories require third person, but in the really interesting stories - the ones I got do to at The Voice and Esquire - were about subjectivity, subjectivities.
Part of you died each year when the leaves fell from the trees and their branches were bare against the wind and the cold, wintry light.
We were in Philadelphia when Manager Pat shifted me from third to short, and right off the bat, I knew I had found my dish. Footwork was more a part of the new position than it had been at third. I suddenly felt I had sprouted wings. A world of new possibilities opened for me.
Three classes inhabited the city (Alexandria in Egypt): first the Aegyptian or native stock of people, who were quick-tempered and not inclined to civil life; and secondly the mercenary class, who were severe and numerous and intractable...; and, third, the tribe of the Alexandrians, who also were not distinctly inclined to civil life, and for the same reasons, but still they were better than those others, for even though they were a mixed people, still they were Greeks by origin and mindful of the customs common to the Greeks.
On the third day the friends of Christ coming at daybreak to the place found the grave empty and the stone rolled away. In varying ways they realized the new wonder; but even they hardly realized that the world had died in the night. What they were looking at was the first day of a new creation, with a new heaven and a new earth; and in a semblance of the gardener God walked again in the garden, in the cool not of the evening but of the dawn.
Oskar Schell: If the sun were to explode, you wouldn't even know about it for 8 minutes because thats how long it takes for light to travel to us. For eight minutes the world would still be bright and it would still feel warm. It was a year since my dad died and I could feel my eight minutes with him... were running out.
I sit beside the fire and think of all that I have seen, of meadow-flowers and butterflies in summers that have been; Of yellow leaves and gossamer in autumns that there were, with morning mist and silver sun and wind upon my hair.
Trees there were, old as trees can be, huge and grasping with hearts black as sin. Strange trees that some said walked in the night.
In this universe the night was falling; the shadows were lengthening towards an east that would not know another dawn. But elsewhere the stars were still young and the light of morning lingered; and along the path he once had followed, Man would one day go again.
I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.
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