A Quote by Annie Dillard

Many writers do little else but sit in small rooms recalling the real world. — © Annie Dillard
Many writers do little else but sit in small rooms recalling the real world.
It should surprise no one that the life of the writer - such as it is - is colorless to the point of sensory deprivation. Many writers do little else but sit in small rooms recalling the real world.
Real writers - serious writers with serious subjects, who earn their living at it - all seem to write in small rooms with that knotty-pine 1974 look on the top-floor rear of their houses. Rooms with views.
Writers don't have lifestyles. They just sit in little rooms and write.
My friends tend to be writers. I think writers and painters are really all the same-we just sit in our rooms.
I'm a major feminist. There's a real politic in life, where I've been in rooms where real decisions are made, and it's a lot of powerful white men. There are women in those rooms, but not as many as there should be.
I made the decision that I didn't want to spend my life in rooms and write about rooms, or else make books that are researched constructs. I think you do have to get out there and live it. Thriller and genre writers seem to understand this.
Your characters get angry at you if you speak about them and stop you from giving birth to them on the page in revenge. Real writers sit down and write. Wannabe writers sit around and talk.
I have a pretty big TV background, and I have clocked so many hours in so many writers' rooms over the years.
There have been days where I've had two writers' rooms or three writers' rooms going, and you walk back and forth. And then you sort of throw yourself on the sofa, and you go, 'Just talk at me for, like, 20 minutes,' and my brain will catch up with this particular story. But I find that exciting.
I'm interested in creating a little sound world for songs, really crafting it, building it, and making it like a little doll's house with little things inside it, staircases and rooms and everything kind of relates to everything else. I've never seen it as drums, bass, guitar and vocals in very separate spaces.
When you can sit down with a plain sheet of paper in front of you and make some notes, and, little by little, you see it take shape and become a concept for a movie or a TV show. That's a real thrill. You watch it go from notes on a paper to a meeting with writers and directors and actors. I can't think of anything that's more exciting.
Now, in the sixties we were naive, like children. Everybody went back to their rooms and said 'We didn't get a wonderful world of just flowers and peace and happy chocolate, and it won't be just pretty and beautiful all the time,' and just like babies everyone went back to their rooms and sulked. 'We're going to stay in our rooms and play rock and roll and not do anything else, because the world's a nasty horrible place, because it didn't give us everything we cried for.' Right? Crying for it wasn't enough.
You create a world away from home and make new rooms for yourself. But when you arrive back home in your old rooms, the world you've made for yourself ceases to be real. Everything seems to crumble. Anyone who's been sent away to boarding school can understand that.
I grew up in a small hotel with many rooms, so when I became aware of 'The Lion, the Witch, and the Wardrobe,' I inspected all the wardrobes, sure one had to be a portal to another world. I was also a true believer in faeries, and perhaps still am.
I'm always amazed by writers who say, "Oh you know I had a half hour so I sat down and wrote a little bit." I just need a real big chunk of time to sit down and focus. That's my process.
I'm always amazed by writers who say, 'Oh you know I had a half hour so I sat down and wrote a little bit.' I just need a real big chunk of time to sit down and focus. That's my process.
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