A Quote by Annie Leibovitz
One of the great things about being an older person is that I am very aware of the scope of the work and the historical sense of it. It's bigger than me.
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As a driver I have come to believe that the person just in front of me and the person just behind me are always just about to do something really stupid. Tense is not the right word, but I am very hyper-aware of such things.
Hitchcock is a big ask. I am playing someone significantly older than me and someone significantly bigger than me. The stuff I find very interesting is why certain physical things have come about. How can he be light on his feet when he is so big? How can his weight vary so much? Where does this rather beautiful voice come from?
Instead of my telling people what they should be doing, it makes more sense to be an inspiration to them. I'm not perfect by any means. I've done some stupid things, and I'm very aware of that. In this day and age, you have to have a sense of humor about it, and at the same time, it's made me a lot more aware that you have to take responsibility for your actions. For me, it's about staying on the path. If I slip, that's OK; just get back up and keep focused.
I've always been a night person. There's a sense of virtue attached to getting up in the morning and doing things and starting the day, and I always felt bad for not being that person. But as I've gotten a bit older, now I'm completely okay with it. That's just who I am.
As I get older, the things that I want are starting to make more sense. Being able to travel makes me happy, and I am a person that lives in the moment. I also want to live a good life. Traveling makes everyday issues seem so much smaller and really changes my perspective on things.
I was and still am a massive fan of [Murphy] Cillian's work - always have been. Obviously he's a great deal older than me, so I've sort of grew up watching Cillian's work. But I'm very much a fan.
I'm very fortunate, and the movies that I've made, even from the very beginning, have been very eclectic. The thing for me is: Am I emotionally engaged in the idea? Is there something special about it? Does it capture my imagination? So everything that I do is simply something that turns me on. And I have the good fortune to be able to make bigger movies and television that ostensibly pay for the other ones. I don't mean literally finance the movies. But they allow me to work on things for very little pay. I do these things because I love them.
A conversation with you is a different thing than projecting to a couple hundred people. It's bigger and more animated and it's on a bigger scope, but still in the heart, it's honestly me.
Silence is difficult and arduous; it is not to be played with. It isn't something that you can experience by reading a book, or by listening to a talk, or by sitting together, or by retiring into a wood or a monastery. I am afraid none of these things will bring about this silence. This silence demands intense psychological work. You have to be burningly aware - aware of your speech, aware of your snobbishness, aware of your fears, your anxieties, your sense of guilt. And when you die to all that, then out of that dying comes the beauty of silence.
Just as a child, before I ever knew what ballet was, there was something in me where I was always searching for something structured, something that was bigger than me, and something so historical that I could be a part of. I didn't find that until I stepped into the ballet world, and it was overwhelming, the feeling of being a part of something that's bigger than you.
That state of mind - of being beside yourself - is wonderful. As you get older, you're just very aware of a sense of an ending. You're grateful for every day.
As a person, he was wonderful. He really was a great person. He was full of life. He had a great sense of humor. Very talented, of course, but very caring to his parents. There was a very endearing quality about Elvis.
Without willing it, I had gone from being ignorant of being ignorant to being aware of being aware. And the worst part of my awareness was that I didn't know what I was aware of. I knew I knew very little, but I was certain that the things I had yet to learn wouldn't be taught to me at George Washington High School.
I think it is selfish for me to try to frame Me Too as something that I own. It is bigger than me and bigger than Alyssa Milano. Neither one of us should be centered in this work. This is about survivors.
I don't have any choice any more. I am in a choiceless awareness. I don't have to be aware. I am simply aware. Now it is just like my heartbeat or like my breathing. Even if I try not to be aware, it is not possible; the very effort will make me more aware. Awareness is not a quality, a characteristic; it is your whole being. When you become aware, there is no choice left to be otherwise.
Being a Barrymore didn't help me, other than giving me a great sense of pride and a strange spiritual sense that I felt OK about having the passion to act. It made sense because my whole family had done it and it helped rationalise it for me.
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