A Quote by Annie Lennox

I'm not really keen on comebacks. Eurythmics was an incredible thing. When I look back on that work, I feel very satisfied with it. — © Annie Lennox
I'm not really keen on comebacks. Eurythmics was an incredible thing. When I look back on that work, I feel very satisfied with it.
The way I need to look, it's a very personal thing. When I started experimenting, it was to make myself feel happy, to look in the mirror and be satisfied. I never did drag or anything like that. It was always that I wanted to be pretty, to look beautiful, as a girl would want to.
Yeah, it's odd when you look back at your own work. Some filmmakers don't look back at their work at all. I look at my work a lot, actually. I feel like I learned something while looking at stuff I've done in terms of what I'm going to do in the future, mistakes I've made and things at work or what have you.
I never want the girls I work with to feel like back-up. The world doesn't make us feel like stars all the time, so in my world, you're gonna look like a star and feel incredible.
I feel like I've had very few bad experiences but even those I look back on and really feel like if it weren't for them, I wouldn't be where I am. I look back on them all the time and constantly feel like I owe it to the other projects that I've made that have gotten me to where I am.
I'm not very keen on ageing. I'm not keen on the physical decay. I probably am quite vain. I think you want to try and look OK for the benefit of other people.
When I talk about character work, I don't really feel like i do much as an actor when I look at other great actors who win big awards for doing incredible transformations.
I have written my life in small sketches, a little today, a little yesterday... I look back on my life as a good day's work, it was done and I feel satisfied with it. I made the best out of what life offered.
I look back on my life like a good day's work, it was done and I am satisfied with it.
I really feel incredibly fortunate to not be stereotyped. And it's something that I and my representatives are very keen on preserving.
It's an incredible thing, how you can feel so taken care of by someone and yet feel, also, like you would die or do anything just for the chance to protect him back.
I still look at that water, and I look at Moana's hair, and I'm just like, "How is this even happening?" It's such an incredible mix of technical mastery and wizardry. It's really incredible. It's layers and layers and layers. It's not unlike building a musical. It's really pretty cool.
I feel that's a good thing as an actor that you do not feel satisfied. Whenever I go back and watch myself on screen, I find multiple reasons to redo that scene. That's an occupational hazard that most actors face. You can never come to terms with it.
Pretty soon I may have to go back to Canada and buy that lumberyard I've always wanted. I'll probably sell some lumber, bring in some lumber... look at exploiting that lumber somehow. I'm not very schooled in it, but being an actor I feel that I have a keen sensibility with regard to the world of lumber because those two businesses are so similar.
I don't know if I would want to come back as anything but me. I feel really satisfied. I don't really want to be anyone else. I just feel like I've gotten everything I signed up for as me. I'm happy as me.
It's exciting to look back at the work that I've done and not have a single regret about a job I've taken. I feel really proud of every film I've been a part of. Big or small role, I feel like it was the right choices.
Alaves were very keen on me and I was very keen for another adventure. It doesn't really faze me moving to another country.
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