A Quote by Enrique Iglesias

Normally I don't listen to my songs. I hear when I'm in the process of creation, of course, but not when I come home, for example, and I listen my album, and this is different.
have two A & R people who listen to songs for me all of the time. When they hear something that they think I will like, they send it to me. We usually listen to hundreds of songs before we find the right ones. It's a long process, but I believe that it's the most important in creating an album.
There's enough songs for people to listen to, if they want to listen to songs. For every man, woman and child on earth, they could be sent, probaby, each of them, a hundred records, and never be repeated. There's enough songs. Unless someone's gonna come along with a pure heart and has something to say. That's a different story.
I make up cassettes all the time - to take on the road with me - a song from this album, a song from that album. That's the way I listen to music; it's like one of those K Tel things: it's from all over. I listen to Fred Astaire, I listen to African folk music, I listen to Talking Heads.
You should listen to songs and listen to what works. Listen to why a song is a hit. Check it out-not to imitate it, but there are certain things that work-hooks and melodies. Hear what works through the ages.
The beauty of Billie Holiday is that she gave every singer after her the license to interpret and perform music in ways that were unique to each of us. Her uniqueness was very much a part of the way she sang the songs, the story she wanted to tell through the songs. I didn't really have a full understanding of Billie until I left home -- until I'd lived a little, shall we say. At different seasons of my life, when I'd sing her songs or listen to her albums, I'd hear things I didn't hear before. Wherever you are in life, you'll hear different things in her songs.
One of the first CDs I ever bought was Alicia Keys's 'MTV Unplugged' album. That album is the one I would take home and listen to on my Walkman, in my room, before I had an iPod. I learned most of the songs on piano.
I listen to Meek, Blac Youngsta, Playboi Carti, Lil Uzi Vert, Kodak, Lil Bibby of course.I listen to pretty much everybody I like different music I listen to The Weeknd, I may listen to Common I might be in the crib and I might play some New Edition.
I listen to NPR when I listen to the radio, but I don't listen to the radio that much. You know, I listen to Garrison Keillor, I listen to 'Prairie Home Companion.'
I do go back and listen to my songs. I'm biting my fingernails the whole way through, but I do listen. I have a lot of songs I've wanted to re-record just because of how advanced technology is and the different instrument sounds that I'm more experienced with.
I think the best songs that come to me are ones that you sort of listen for. The ones - when I listen to some of my old stuff, I can tell when I had a good idea, but I forced it through, and I can hear myself - the bit that I've written, which sounds clunkier than the stuff that just sort of comes.
We listen to the greats. I'm not going to listen to average rap when I can listen to an Outkast album.
Most people don't listen to classical music at all, but to rock-and-roll or hillbilly songs or some album named Music To Listen To Music By.
I kind of knew that there were a lot of people that didn't go to church and normally wouldn't listen to people, but they would come and listen to me talk.
When you listen to radio and hear the same 20 or 25 songs, you start hunting down your CD's. Waylon Jennings' records were always around to listen to.
With a pop album you can listen to one or two songs from it, but a music album is really an experience. It's not something a whole lot of rock bands do.
If you listen to the left track on their album, if you get The Best of the Mamas and Papas, you listen to the left track, you can still hear a little bit of my voice. My son discovered that once.
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