A Quote by Anthony Browne

A lot of my characters are underdogs or sad or lonely, but I had a comfortable, golden sort of childhood. — © Anthony Browne
A lot of my characters are underdogs or sad or lonely, but I had a comfortable, golden sort of childhood.
A lot of my comic influences are distinctly American: Woody Allen and Bob Hope, for example. They were always the underdogs who were using wit to sort of battle their way through. And it seems to me that a lot of contemporary U.S. comedies are shot through with losers. None of the characters in 'The Big Bang Theory,' for instance, are studs.
I think because I can be sad, and I can be lonely, my gift would be trying to help other people feel less lonely and less sad. Because that's what I understand.
If I have a golden touch, I'd also say that I have the opposite of whatever a golden touch is, because I've had a lot of things fail. I think part of the experience of being successful is that you have to have a lot of stuff not work.
I am somebody who is very comfortable on stage because I have been performing since childhood. I have done a lot of public events as well, though there is a huge difference in my performances today and the ones from my childhood, as earlier, I used to sing bhajans.
We may have limped onto Broadway as the underdogs, but underdogs bite back occasionally.
I did have quite a different upbringing to a lot of my peers. We all have a sort of code that we get, especially as Beatles kids. It's an unspoken sort of word of understanding. But I'm comfortable around a lot of different types of people.
One of the problems with trying to help underdogs, especially with government programs, is that they and everyone else start to think of them as underdogs, focusing on their problems rather than their opportunities. Thinking of themselves as underdogs can also dissipate their energies in resentments of others, rather than spending that energy making the most of their own possibilities.
But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older.
When you move from a different country, it takes a while to make friends. I found myself being lonely a lot at first. In New Delhi, I had all my family. But Portland is one of those cities you can immerse yourself in and feel comfortable. People are so friendly.
You start to fall in love with characters as you work with them, and anytime that you care about your characters and you realize that you're gonna have to kill them, that fear creeps in. It's sad. It's scary, and it's also sad. Because you like these people.
Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.
But they never last, the golden days. And it can be sad, the sun in the afternoon, can't it? Yes, it can be sad, the afternoon sun, sad and frightening.
A lot of people say video games can be stifling. Older people say, 'We had to go outside, and we had to make up stories!' For me, video games broadened my horizons. Playing 'Golden Axe,' I was those characters. I imagined myself being in that world, so honestly, it was a really good thing.
I don't want to tell sad stories about myself. We may not have had a lot to spend when I grew up, but my childhood was good. The public likes to hear a dramatic story. They want a star to rise, have a meltdown and then return to greatness. Very American.
Childhood has definitely been invented, hasn't it? I think that's because people had children later, and we appreciate and cherish childhood a lot more.
I remember watching that show [Golden Girls] with my parents and not totally understanding it. Like, a lot of comedy flew over my head, a lot of the sexual stuff I didn't know. But because there was a laugh track, I'd laugh really hard, and I'm now remembering the look on my parents' faces - I had no idea why it was funny. I was sort of, like, laughing along.
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