A Quote by Anthony Browne

Although I have two good Anglepoise lights, I much prefer to work by daylight. — © Anthony Browne
Although I have two good Anglepoise lights, I much prefer to work by daylight.
Short of coming to their senses and abolishing the whole thing, we might expect that the rules for daylight saving time will remain the same for some time to come, but there is no guarantee. (We can only be glad there is no daylight loan time, or we would face decades of too much daylight, only to be faced with a few years of total darkness to make up for it.
Yes, I definitely prefer the daylight population of the playing fields to that which comes there after dark.
Nowadays, when you make movies, you don’t need any lights at all. You have to remember, back in the day, the film stocks that they had were very, very insensitive and they would have these humongous lights and lighting was everything, so everyone looked good. Nowadays with digital film where you don’t need any light at all, you could shoot in the [bleep] dark. It makes people not look so good and it makes aging on film much, much harder.
If you press-mold a pot or if you slab-build a pot, the work has got to take much, much, much longer than if you work on the wheel. And I to this day have the ideal that I want my work to be not too expensive, so that if people buy it and break it, it's not going to be the end of the world. I'm not interested in having things in museums, although some of our work has ended up there, but that's not what I'm striving for.
A good disposition I far prefer to gold; for gold is the gift of fortune; goodness of disposition is the gift of nature. I prefer much rather to be called good than fortunate.
I have two concerns with my work: having good things to act, and getting paid. In that order. Although if you're not getting paid well, that order can change. But that's what I'm concerned about. Good scenes. Decent money.
I prefer reading e-books on a high resolution LCD screen - like the iPod Touch's - although the pixel density could and should be much higher.
It's very hard to adapt something. You end up changing it too much to make a good movie out of it. I prefer to work with things that are custom made for my kind of animation.
I work from fatigue to fatigue at my age there's only so much daylight left.
Truth is a naked and open daylight, that does not show the masques, and mummeries, and triumphs of the world, half so stately and daintily as candle-lights. . . A mixture of a lie doth ever add pleasure
Old Lights include the resurgent fundamentalists in every religion who put a freeze on history and fortify their adherents against the "new dark age" in which they are forced to live. "Back to the Bible," Old Lights shout; "back to the Koran," Old Lights thunder. But not everything Old Lights say is wrong. Much is right. Even a stopped clock is right twice a day, the old adage reminds us.
When the days start to get shorter, I want to be in some nice brick building on the East Coast with the lights glowing in the windows. When the daylight starts changing, I want to be out West.
When handling the ball, I always would look for daylight, wherever there was daylight.
Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
I tour more than I need to, more than is good for you. But it's my favorite part of music. I much prefer it to studio work.
Very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you work. And I prefer the latter, for obvious reasons.
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