A Quote by Anthony Horowitz
Relationships between writers and publishers are of course very strange and change all the time, rather like a see-saw.
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Relationships do change throughout the course of your life, and I always think in terms of relationships changing and evolving rather than starting and stopping.
I prefer short stories, but publishers would, of course, rather that writers produce novels, since novels are still more commercially viable.
Genius gives birth, talent delivers. What Rembrandt or Van Gogh saw in the night can never be seen again. Born writers of the future are amazed already at what they're seeing now, what we'll all see in time for the first time, and then see imitated many times by made writers.
I couldn't identify with anyone. At school, I was considered very strange. I didn't understand the relationships between people.
In films, usually we see romantic relationships between a hero and a heroine all the time. But we rarely see love between the older generations.
..few writers like other writers' works. The only time they like them is when they are dead or if they have been for a long time. Writers only like to sniff their own turds. I am one of those. I don't even like to talk to writers, look at them or worse, listen to them. And the worst is to drink with them, they slobber all over themselves, really look piteous, look like they are searching for the wing of the mother. I'd rather think about death than about other writers. Far more pleasant.
Big publishers want you to change this and change that. I'd rather go to a little publisher - who needs the tsuris.
In a way, 'Lost,' or maybe TV in general, is a kind of a contract between the writers and the viewers. And the actors - of course we have a great deal to do with it - but where the drama's made, sort of where the meeting of minds is, is between those two parties: writers and audience.
I remember standing on a street corner with the black painter Beauford Delaney down in the Village, waiting for the light to change, and he pointed down and said, 'Look.' I looked and all I saw was water. And he said, 'Look again,' which I did, and I saw oil on the water and the city reflected in the puddle. It was a great revelation to me. I can't explain it. He taught me how to see, and how to trust what I saw. Painters have often taught writers how to see. And once you've had that experience, you see differently.
THe Chinese like the satellite state [North Korea] between China and our forces, they fear that in a reunified Korea, American troops would be at the Yalu River and they've seen that movie before. They didn't like it the first time they saw it and they don't like it any better today. So they are quite happy with the divided Korean peninsula and that's a fundamental difference between the way they see things and the way we see things.
In the early '70s - a very good time for children's books and their authors - editors and publishers were willing to take a chance on a new writer. They were willing and able to invest their time in nurturing writers with promise, encouraging them.
I think there is a huge difference between writers who have very big sales, and writers who have small sales. Even writers with very high reputations, even Nobel prize winners, often sell in very low figures.
The real effect of the WTC calamity has been depressed spirits, anxiety, and uncertainty among publishers, and of course those emotions are not restricted to publishers.
I know a lot of crime writers feel very underrated, like they're not taken seriously, and they want to be just thought of as writers rather than ghettoised as crime writers, but I love being thought of firmly as a crime writer.
It's very much a back and forth conversation between the fans and the writers, between the writers and the powers that be. Their opinions, especially when expressed online or via correspondence, are important and are taken into consideration.
Human beings look separate because you see them walking about separately. But then we are so made that we can see only the present moment. If we could see the past, then of course it would look different. For there was a time when every man was part of his mother, and (earlier still) part of his father as well, and when they were part of his grandparents. If you could see humanity spread out in time, as God sees it, it would look like one single growing thing--rather like a very complicated tree. Every individual would appear connected with every other.
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