A Quote by Anthony Jeselnik

I would love to DJ the royal wedding. Just so I could play Candle in the Wind non-stop. — © Anthony Jeselnik
I would love to DJ the royal wedding. Just so I could play Candle in the Wind non-stop.
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
What I would love is a crossover between 'Royal Pains' and 'Burn Notice,' that we could be involved in some sort of gun play intrigue. I would really love that because we have no guns. We have nowhere near enough explosions and guns on the set.
We are a feelingless people. If we could really feel, the pain would be so great that we would stop all the suffering. If we could feel that one person every six seconds dies of starvation ... we would stop it. ... If we could really feel it in the bowels, the groin, in the throat, in the breast, we would go into the streets and stop the war, stop slavery, stop the prisons, stop the killing, stop destruction.
I DJ all the time, as much as I possibly can. I'll never stop. That's my security blanket, that's what I'm good at. I still consider myself a better DJ than a singer. I can DJ in my sleep.
Each of us is born with a box of matches inside us but we can't strike them all by ourselves; just as in the experiment, we need oxygen and a candle to help. In this case, the oxygen, for example, would come from the breath of the person you love; the candle could be any kind of food, music, caress, word, or sound that engenders the explosion that lights one of the matches.
If I felt, in the event of a royal wedding, inspired to write about people coming together in marriage or civil partnership, I would just be grateful to have an idea for the poem. And if I didn't, I'd ignore it.
What an electric thrill it sends up and down the spine, how it sets the heart racing: A Royal Romance! A Royal Wedding! The pomp and the pageantry!
I started in '88 to play House music, it was a huge revolution for me. I went to London and I saw a DJ on stage and that was crazy at the time. I was one of the really respected and famous DJs in Paris, but they would never show me. I was hidden. A DJ on stage and people dancing and facing the DJ, looking at him? I was like 'wow!'
I wouldn't call myself 'into the DJ scene.' I have friends who are DJs, like James Murphy. I was really into the DJ scene at his wedding. But generally, I'm not at the clubs. I've never been to a rave.
I don't want to write poems about the royal wedding. I would have to be moved by the event.
Christmas is God lighting a candle; and you don't light a candle in a room that's already full of sunlight. You light a candle in a room that's so murky that the candle, when lit, reveals just how bad things really are.
I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked.
I've always wanted to be a DJ so I could play the music I love for other people. That feeling hasn't changed, but my sets are always evolving. In terms of tailoring to a specific crowd, certainly I do play differently depending on the situation. It's a different feel, for example, in a small club versus a festival.
It's tough when you're an artist because you get to go around the world and make a lot of friends, but guess what? One day, all these people that you love are going to die, from DJ Mehdi to DJ Dusk to J Dilla to Austin Peralta to DJ Rashad.
writing is a labor of love and also an act of defiance, a way to light a candle in a gale wind.
I can't watch a woman play with herself - to me, it looks like a DJ working the turntables... DJ Diddles.
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