A Quote by Anthony Daniels

Everybody uses mime and gesture in real life, though we don't realize it. It's very useful as a performance technique, though it can be boring to watch on its own. — © Anthony Daniels
Everybody uses mime and gesture in real life, though we don't realize it. It's very useful as a performance technique, though it can be boring to watch on its own.
Without romance, films will be boring. I doubt if people now understand romance, though they may claim it otherwise. I am very romantic in real life.
This has been the left's technique. The technique is to portray a political enemy of the left as this outrageous caveman or whatever decrepit form of humanity that you can describe, and then assume that everybody else agrees, and then cover the story as though everybody agrees.
As I got older though I wanted a life of my own. The classical training was very demanding and thorough. It was a very sheltered existence. Even though I heard blues and gospel on the radio sometimes, it was always back to the piano and study and give recitals.
What I think happens, and that you have to acknowledge though, is that a director uses a book as a launching pad for his own work and that's always very flattering.
I think that if an audience is truly appreciative of a performance, they will show it. Sometimes though, there are little differences, and there are audiences that are very reserved even though they are enjoying the show.
My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.
As the paper though it entereth the press white, yet when it cometh forth black is eagerly sought to be perused; so do thou let thy life, though darkened by adversity, be made all the more useful to thy fellows.
As I look back over the truly crucial events in my life I realize that they were not planned long in advance. Albert Einstein said, 'There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is.'
You can't really watch a theater performance by yourself. You can watch a movie by yourself, though.
All my novels are very much directly related to my inner life, even though I'm inventing characters, even though it's fiction, even though it's make-believe, it nevertheless is coming out of the deepest recesses of myself.
Henry loves my hair almost as though it is a creature unto itself, as though it has a soul to call its own, as though it could love him back.
At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath, I move on in search of a less dorky target. Though if he'd been a mime, odds are he'd already be dead.
In my experience, not just in shooting films but in the commercials I've done, initially, it's very exciting for the community, and its a real novelty. Very quickly, though, they realize there's a buck to be had, and it becomes annoying, and they lose their patience pretty quick.
I do think there is great strength, though, in starting a sermon with a story, then returning to that story at the end. That puts book ends to a sermon. It is a real simple technique that communicates to the audience that there is a sense of closure, that they have a package here, or we began and we closed with this. I think that's just a nice technique.
My interest in time emerged out of an engagement with the media that I was working with. Film and performance are temporal media. They rely on time. When I'm carrying out a performance, it matters, for example, how long I hold one particular gesture or posture. Seriality is very important too. Performance can be used to dilate time or to repeat time. And video, in turn, has its own time.
If you sit in on a film class with students, their big complaint is "That's not like real life." They don't realize that they don't really want to watch real life. They don't want to sit and watch a security camera. There's a strong gravity in all of us as viewers - even in myself now and then - to want to see real life depicted. But you're looking for it in the wrong places. It's in little allegories, in something removed.
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