A Quote by Anthony Marra
There was something about the idea of Russia that I found very intriguing, and I think I had romanticized it a lot.
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I think that Russia was like a lot of other countries, a lot of empires, in being a tyranny up until the early 20th century. Then Russia had something that no other country has had, which is the longest totalitarian experiment in history.
Putin is backing Assad - a person that's truly an evil person. And I think it's very bad for Russia. I think it's very bad for mankind. It's very bad for this world. And I really think that there's going to be a lot of pressure on Russia to make sure that peace happens, because, frankly, if Russia didn't go in and back this animal, you wouldn't have a problem right now. He was going to be overthrown.
What I think is important about essayists, about the essay as opposed to a lot of personal writing is that the material has to be presented in a processed way. I'm just not interested in writing, "Hey, this is what happened to me today." You get to a place that has very little to do with your personal experience and talks about some larger idea or something in the culture. I don't think you can get to that unless you have had a lot of time to gestate and maybe if I was taking a lot of notes while stuff was going on, I wouldn't be able to get to that place as easily.
I have this romanticized idea of dance music in the '90s because, obviously, I was way too young to be a part of it. So I have this rose-tinted idea of it. I have this idea of it being a very special time. But I still don't know that much - I can never remember any names of seminal artists.
I think there's something to the millennial sentiment of being, like, 'I'm great.' But I think there's also something really amazing and powerful about being, like, 'Oh, hey, I'm awesome.' It's a fine line. But I think it's possible to be both, to not be the most annoying person in the world, to still be very intriguing and fun to watch.
Russia has lost an empire but not yet found a role. Russia has to decide what it wants to be. And as we know in Britain, that takes some time. It is quite tough to lose an empire and Russia lost its empire very rapidly and very admirably, that is to say peacefully, it didn't fight.
My fellow actors inspire me a lot and really good writing inspires me. And then trying to stick to the decision to only do something that I think will challenge me and that I, personally and very subjectively, I think is good not do something because I think it will bring me a lot of money or bring me a lot of awards. I've tried to very, very rigorously be highly subjective about what I do. And that's something that I think I have basically lived by.
Vampires have been romanticized, and this is bringing it right back to being vampiric. I think there's something sexy and raw about that.
A frustration that I've had recently is that a lot of songs that I listen to draw on scenarios that aren't very realistic, so I just wanted to do something that was more down to earth. And I think my fans, who already know a lot about me, will learn something new.
Byrnes... was concerned about Russia's postwar behavior. Russian troops had moved into Hungary and Rumania, and Byrnes thought it would be very difficult to persuade Russia to withdraw her troops from these countries, that Russia might be more manageable if impressed by American military might, and that a demonstration of the bomb might impress Russia.
I think Paul Newman had an amazing career. I also love what Tom Hanks has done. He has always made very grounded movies that have something to say. He has found a way to make blockbusters that are about something and that is what I want to do.
I had no idea that that was around in the family anywhere. Maybe it never was. But - so they broke the way for me, if you know what I mean. I have no idea where I got the idea from to do what I do. But I think they - Ian and Alistair, my brothers kind of opened a lot of doors for me onto the world - you know, made it seem to be a very, very interesting place.
A wonderful man came to my office a week ago. A very highly respected man and he sat down and he said, "You know it's been very unfair. From the day you have been president you've been under this little veil of Russia, Russia, Russia." And with all of this being said, I want to say this, I think it would be great if we got along with Russia. I don't think there's anything wrong with - they are a power, they're a nuclear power. I think we could have a good relationship. I think that North Korean situation would be easier settled.
We're living history all the time, in the papers, in the news, you think about stuff and it goes into your brain and you think about it and it comes out somehow. You have an idea; you've heard a phrase, or you're angry, or something disturbs you, or something seems paradoxical to you, you explore that idea, much like a writer would explore maybe an idea through metaphor. Maybe artists use their vehicle to explore ideas, so I think the things that interest me are the kind of idea of continuous change and how nothing stays the same and it's always disintegrating into something more.
I guess my work is described a lot of the time as very sensual and sexy. When I take a picture, I'm very focused on trying to discover something about a person. Or about an idea. I try to be quite successful at it.
Trump has repeatedly insisted that he is innocent of colluding with Russia and had no idea about his campaign staff's Russia contacts. So he should be glad to know that the FBI appears to have been trying to thwart a hostile country's efforts to infiltrate his campaign.
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