A Quote by Antony Starr

Oftentimes, you read these pilot scripts that come through for American work, and they dont sing to you. Ive got to be honest, not many of them ignite the flame or give you that burning feeling of, Oh, God, I really want to be a part of this.
Oftentimes, you read these pilot scripts that come through for American work, and they don't sing to you. I've got to be honest, not many of them ignite the flame or give you that burning feeling of, 'Oh, God, I really want to be a part of this.'
I made a point to not read too far ahead with the first six or seven episodes of any show. I would read the outlines, but I didn't really want to read scripts too far in advance because I didn't really want to get ahead of myself, at all. To be honest, I don't have the time to come up with theories.
Ive realised that I dont need much. When I was in my 30s, I was like, I want the house, I want the dog, I want the car. But I dont need it. I dont really want it.
I don't get that many scripts. Back in Australia, I've pretty much done my own shows and really no work outside of that. It's only now that I'm starting to read some Hollywood film scripts, and I've read some really great ones.
Ive always loved musical films; I find them really thrilling and exciting; it was part of what made me want to be an actress, that feeling of being really transported.
At the end of the day, my life isnt about other peoples work. Ive got to stop giving stuff away. Ive got my own stories to tell, and a great need to tell them. Ive got these images, these thoughts in my head, and I need to find a way to cope with them.
You read a million scripts during pilot season, and most of them are not very good, so the good ones really shine.
I wasn't really interested in doing anything except going from pilot season to pilot season and sowing my oats in the months between and telling my agency to stop sending me movie scripts, because they'd pile up in my house and make me feel guilty because I had to read them.
But it seems Ive got this set of scales inside me that I never used to have, or at least I wasnt aware of, and I cant shake the feeling that if I dont try to keep them balanced, Ill lose something I wont be able to get back.
There are so many beautiful things that are a part of the world, and Ive always looked at life that way; Ive always tried to put on a smile and a brave front, not just for my kids but in my own life and all the difficulties that Ive gone through.
When I read the 'Ugly Betty' pilot, I thought, 'Oh, this part's funny.' I said to my husband, 'I'm going to get it!' But based on what? All my exquisite comedic work in a Nike commercial?
My children haven't read 'Winter Journal'. They have read some of my work, but I really don't foist it on them. I want them to be free to discover it in their own good time. I think reading an intimate memoir by your father - or an intimate autobiographical work, whatever we want to call this thing - you have to come at it at the right moment, so I'm certainly not foisting it upon them.
You read so many scripts, especially pilots, that really feel like marbles in your mouth when you go to read them out loud.
That's what you want to do? Then nothing beats a trial but a failure. Give it everything you've got. I've told you many times, 'Cant do is like Dont Care.' Neither of them have a home.
Think of a space in your heart, and in the midst of that space think that a flame is burning. Think of that a flame is burning. Think of that flame as your own soul and inside the flame is another effulgent light, and that is the Soul of your soul, God. Meditate upon that in the heart.
Most development doesn't make it to series. So you want the writer and director to have a really good experience with development because, if it doesn't work out, you want to work with them again. You have to know their work really well, know the drafts really well, and when you give notes, you need to have really thought them through.
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